愚蠢的妹妹
Minho，姑姑说她有一位漂亮的女士，她在姨妈的尾声没钱就去了仓艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。我试图逃跑去见她的阿姨与开膛手。我被迫与拉皮条的威胁对付我的姨妈。没有钱的米尼奥（Minho）最终在那里工作。然后，我将目光投向刚刚到达那里的年轻美丽的Konno。Minho决定与Konno逃脱。但是皮条客和姨妈发现了两次逃跑尝试……
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鲁克·高斯,罗伯特·戴维,戴维·费尔南德斯,芭芭拉·帕多,帕特里夏·德·莱昂,Luis Gatica,Jeanette Samano,Jack Carlisle,Alain Mora,Zokai Holmes,Denitza García,Jordan Simkovic,Tonya Bordeaux,Mopar Murray,Laura MartinThe film, which marks the directorial debut of singer-turned-actor Luke Goss, is currently in post-production. Also starring Goss, alongside Robert Davi and Patricia De Leon, it tells the story of a man who must go to extreme lengths to discover what happened to his kidnapped wife and daughter. Soda intends to launch the film to coincide with the reunion concert tour of Bros., the 1980s' pop band Luke performed in with his brother Matt. The reunion was original intended as a one-off concert at London's O2 Arena on August 19, marking the anniversary of the band's last concert in 1989. However, when that show sold out within a minute of going on sale the tour was expanded to include six further dates at the O2 and at other venues around the U.K. in August
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
密室绑架
杰拉·哈斯,克雷蒙斯·施伊克,马克斯·冯·德·格罗本两个蒙面人在街上绑架了一个女人并向其索要赎金，他们将她绑了起来并且堵住了她的嘴巴，但这个女人凭借自己有限的力量破坏了绑匪精心策划的计划。
春闺风月
艾琳·邓恩,加里·格兰特,拉尔夫·贝拉米,亚历山大·达西,塞茜尔·坎宁安,莫莉·拉蒙特,乔伊斯·康普顿,罗伯特·沃里克,玛丽·福布斯,Esther Dale,Robert Allen故事发生在车水马龙的大都市纽约，杰瑞（加里·格兰特 Cary Grant 饰）和露西（艾琳·邓恩 Irene Dunne 饰）是一对感情十分要好的夫妻，两人时常结伴出入上流人士所举办的高端晚宴之中，生活极尽奢华，但随着时间的推移，这表面幸福的婚姻生活终究还是出现了裂痕，杰瑞和露西决定离婚。在两人分开之后，杰瑞邂逅了富有而又美丽的遗孀芭芭拉（莫莉·拉蒙特 Molly Lamont 饰），露西则傍上了石油大亨丹尼尔（拉尔夫·贝拉米 Ralph Bellamy 饰），可寻找到了各自幸福的两人却并不能相安无事，正相反，他们开始想方设法的破坏和阻挠对方的情感关系，就此引出了一系列荒诞可笑的意外。
三块广告牌
弗兰西斯·麦克多蒙德,伍迪·哈里森,山姆·洛克威尔,艾比·考尼什,卢卡斯·赫奇斯,彼特·丁拉基,约翰·浩克斯,卡莱伯·兰德里·琼斯,凯瑟琳·纽顿,凯瑞·康顿,泽利科·伊万内克,萨玛拉·维文,克拉克·彼得斯,尼克·瑟西,阿曼达·沃伦,玛拉雅·瑞沃拉·德鲁,布兰登·萨克斯顿,迈克尔·艾伦·米利甘米尔德雷德（弗兰西斯·麦克多蒙德 Frances McDormand 饰）的女儿在外出时惨遭奸杀，米尔德雷德和丈夫查理（约翰·哈克斯 John Hawkes 饰）之间的婚姻因此走到了尽头，如今，她同儿子罗比（卢卡斯·赫奇斯 Lucas Hedges饰）过着相依为命的生活。一晃眼几个月过去了，案件仍然没有告破预兆，而警方似乎早已经将注意力从案子上转移了开来。被绝望和痛苦缠绕的米尔德雷德租下了高速公路边上的三块巨型广告牌，在上面控诉警方办案无能，并将矛头直接对准了警察局局长威洛比（伍迪·哈里森 Woody Harrelson 饰）。实际上，威洛比一直隐瞒着自己身患绝症命不久矣的事实。因为这三块广告牌，米尔德雷德和威洛比的生活发生了翻天覆地的变化。
棉花软糖
柯宾·伯恩森,库埃·劳伦斯,Kai Cech,Max Malas在一个与世隔绝的夏令营里，胆小又内向的12岁男孩摩根陷入了一场噩梦之中——曾经被当作传说的一个篝火故事竟变成了现实。摩根和他新结识的朋友们必须踏上一段危险重重的旅程，并揭开隐藏在表象之下的邪恶真相。