剧情纵览
男主的弟弟生意失败,只能让妻子跟男主和男主的妻子住在一起,弟妹必须在家中做些家务活,还要忍受男主妻子的数落,每天夜里男主和妻子的做爱声音也会让弟妹欲火焚身,而更悲剧的是,男主的弟弟竟然要和弟妹离婚,再次遭来男主妻子的挖苦,而男主其实一直对弟妹垂涎已久,他必须在妻子和弟妹之间做出选择....
男主的弟弟生意失败,只能让妻子跟男主和男主的妻子住在一起,弟妹必须在家中做些家务活,还要忍受男主妻子的数落,每天夜里男主和妻子的做爱声音也会让弟妹欲火焚身,而更悲剧的是,男主的弟弟竟然要和弟妹离婚,再次遭来男主妻子的挖苦,而男主其实一直对弟妹垂涎已久,他必须在妻子和弟妹之间做出选择....
效力于某知名搜索引擎公司的程序员加利·史密斯(多姆纳尔·格利森 Domhnall Gleeson 饰)幸运地抽中老板纳森(奥斯卡•伊萨克 Oscar Isaac 饰)所开出的大奖,他将受邀前往位于深山的别墅中和老板共度假期。在与世隔绝的别墅中,纳森亲切地接待了这位员工。 事实上他邀请加利到来还有另一个目的,那就是协助他完成其所开发的智能机器人的测试。天才一般的纳森研制了具有独立思考能力的智能机器人伊娃(艾丽西亚·维坎德 Alicia Vikander 饰),为了确认她是否具有独立思考的能力,他希望加利能为伊娃进行著名的“图灵测试”。似乎从第一眼开始,加利便为这台有着宛如人类般姣好容颜的机器人所吸引。 在随后的交流中,他所面对的似乎不是冷冰冰的机器,而更像是一个被无辜囚禁起来的可怜少女……
故事发生在上世纪90年代的一个美国小镇上。扎克和乔西从童年时就是最好的朋友,他们每天一起骑车上下学,放学后一起玩耍,甚至喜欢上同一个女孩。然而平静的生活在某天下午被彻底打破了。聚会因大麻而失控,朋友达里尔在教室里失血过多身亡,男孩们恐慌无措地要彼此发誓保密,扎克简单的生活仿佛被撕开了一道巨大的口子,整日被罪恶感压迫地喘不过气,乔西则索性不再上学,甚至不再走出家门一步。曾经密不可分的两个男孩在数日后便产生了不可逾越的鸿沟……
The Destroyers of Alien Invasion Attacks Survival the Tripod the Killers.
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.