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浴火之森
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寺岛惇太,齐藤壮马,畠中祐,八代拓,五十嵐雅,永冢拓马,内田雄马,苍井翔太,武内骏辅,杉田智和,柿原彻也,前野智昭,增田俊树,三木真一郎,关俊彦,森久保祥太郎,浪川大辅,中山咲月,山下诚一郎,小林龙之,土田玲央,河合健太郎,鹈泽正太郎,橘龙丸,浦田涉,天月,梶原岳人,田丸笃志,近藤隆,大桥贤一郎,冈本信彦同类精选
绿液惊魂
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暴风雨之星
Vladimir Yemelyanov,Georgi Zhzhyonov,Gennadi VernovUpon arrival to Venus, cosmonauts find furious volcanoes and sundry prehistoric beasts in Klushantev's film, based on a novel by the Soviet sci-fi writer Aleksandr Kazantsev. Footage has been recycled in three Corman productions: Voyage to the Prehistoric Planet, Queen of Blood, and Voyage to the Planet of Prehistoric Women (the directorial debut of Peter Bogdanovich). 83min
金谍行动
杰克·吉伦哈尔,亨利·卡维尔,裴淳华,艾莎·冈萨雷斯,费舍·史蒂芬斯, 埃米特·J·斯坎伦,克里斯托弗·海维尤,科乔·阿塔,克里斯蒂安·奥乔亚·拉维尼亚,穆罕默德·阿勒·图尔基,杰森·王,卡洛斯·巴登,科里·道格拉斯·坎贝尔,拉娜·阿拉慕丁,贡萨洛·博乌萨,卡洛斯·克劳曼斯莫勒,西尔维娅·纳瓦尔,阿尔韦萨姆·希格达尔,阿列克谢·丘纳耶夫金融公司遭十亿恶意贷款，首次讨要无果后，讨债公司老板瑞秋挺身而出。她集结布朗克和席德组成一支精英小队，成功夺取硬盘数据，锁定债主曼尼的隐秘资产。随后，小队展开一连串精密操作，曼尼的资产帝国被迫冻结，而曼尼也终于现身谈判同意还钱。但当曼尼付清了债款，金融公司却迟迟未将曼尼的资产归还，气急败坏的曼尼将瑞秋擒获试图进行要挟。精英小队是否能成功将瑞秋救出，而曼尼又将受到怎样的恐怖惩罚呢？
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
妖狐传
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