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惊天魔盗团3
杰西·艾森伯格,伍迪·哈里森,戴夫·弗兰科,艾拉·菲舍尔,贾斯蒂斯·史密斯,多米尼克·塞萨,阿丽亚娜·格林布拉特,裴淳华,摩根·弗里曼,马克·鲁法洛,丹尼尔·雷德克里夫,尼克·威特曼因神秘塔罗牌的指引，那群用魔术“替天行盗”的骑士们杀回来了！“初代四骑士”与三位新生代魔术师携手，目标直指一位钻石大亨——其家族凭借庞大资本与隐秘势力，构建了全球性犯罪网络，也为骑士团布下层层陷阱！面对史上最难的“盗窃任务”，骑士们再现奇迹，上演横跨全球的魔术大秀，与“血色钻石家族”展开骗中骗、局中局、计中计的巅峰博弈……
政坛新星
艾玛·麦基,杰米·李·柯蒂斯,伍迪·哈里森,阿尤·艾德维利,杰克·劳登,库梅尔·南贾尼,艾伯特·布鲁克斯,丽贝卡·豪尔,朱莉·卡夫娜,贝琦·安·贝克,斯派克·费恩,茜多·塞丝,Amelie McKendry,阿德里安·M·蒙波因特,乔伊·布鲁克斯,埃里卡·麦克德莫特,肖恩·菲茨吉本,Kellen Raffaelo,Carrie Adams,Michael Steven Costello34岁的年轻女子Ella McCay（艾玛·麦基 Emma Mackey 饰）当上了州长，需要努力平衡政坛职责和家庭生活。
牧群
The first feminist vegan horror film, The Herd has been rejected by some film festivals for being too horrific or political. A number of kidnapped women are kept imprisoned in a squalid medical facility condemned to a life of enforced servitude at the whims of their captors, without any hope of rescue or escape.
鬼店另有主
萨拉·帕克斯顿,帕特·希利,凯莉·麦吉利斯克莱儿（莎拉·派克斯顿 Sara Paxton 饰）和卢克（派特·希利 Pat Healy 饰）是一家有着悠久历史的洋基旅舍（Yankee Pedlar）的店员，无尽长夜中，两人插科打诨，海阔天空神聊，顺便应付各种各样的客人。这家旅舍以闹鬼著称，传说曾有个名叫玛德琳·奥马利的新娘，在旅舍举行婚礼的当天上吊自杀。店主害怕影响生意，于是偷偷藏起尸体长达三天时间。事发后店主引起民众的愤慨，而闹鬼的传言也不胫而走。克莱儿与卢克架起摄像机拍摄旅社的超自然画面，并试图探访鬼魂的真面目，这个糟糕的决定将他们带入万劫不复…… 本片荣获2011年尖叫电影节（Screamfest）最佳配乐奖、2011年多伦多午夜电影节特别奖观众选择最恐怖影片。
月亮中的亚马逊女人
阿瑟尼奥·豪尔,Donald F. Muhich,莫妮卡·加布里埃尔由21 个闹剧穿插一部科幻短片组成的闹剧，导演罗伯特（《怪异的阿尔 杨克维奇》）、约翰（《动物屋》）等等都是环球影片公司的一线导演，他们的共同特点就是在搞怪搞笑方面各有绝招。这些短片大都是对美国夜间电视节目和低成本科幻片的戏仿，故事包括一个男子受到他所住的房子攻击、一场由喜剧演员主持的葬礼和被吸进电视机里的人等等。 眼花缭乱 满嘴放炮
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster