即刻观影
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编辑推荐
一一
吴念真,李凯莉,金燕玲,张洋洋,萧淑慎,尾形一成,陈希圣,林孟瑾,陈以文,柯宇纶,张育邦,柯素云,唐如韫,徐淑媛,曾心怡,陶传正NJ（吴念真）是个很有原则的生意人，同妻子敏敏（金燕玲）、女儿婷婷（李凯莉）、儿子洋洋（张杨洋）以及外婆住在台北某所普通公寓里。小舅子的一场麻烦婚礼过后，因为外婆突然中风昏迷，他迎来更加混乱的日子。敏敏公司、家里两头跑，时常感觉自己要被耗空；婷婷一直为外婆的中风内疚，恋爱谈到中途发现自己不过是替代品；NJ更是麻烦重重，公司面临破产，他又不愿放下别人眼里一文不值的自尊。一家人里，似乎只有洋洋没有烦恼，他平静地用照相机拍着各种人的背面，帮他们长出另一双眼睛，然而，洋洋简简单单的一句话，道出更深的悲凉。
未知土地
约克·马哈尼,Shirley Patterson,威廉·雷诺兹,亨利·布兰登Three men and a woman crash-land in a deep crater in Antarctica, where they find a prehistoric world.
河狸变身计划
佩珀·柯达,鲍比·莫尼汉,乔恩·哈姆,凯茜·纳基麦,戴夫·弗兰科,爱德华多·弗兰科,梅丽莎·维亚西诺尔,托马斯·劳,梅丽尔·斯特里普,瓦妮莎·贝尔,阿帕娜·南切拉,山姆·理查森,小伊塞亚·维特洛克,史蒂夫·波赛尔,艾戈·乌迪姆,妮可拉·布鲁姆,凯伦·惠伊,莉拉·刘,埃曼·阿卜杜勒-拉扎克,乔·斯帕诺,罗里·艾伦,迪米特利·马丁少女梅宝（佩珀·柯达 Piper Curda 配音）偶然借助突破性技术，让自身意识“跳脱”身体，进入机械动物体内，“变身”为一只活泼灵动的河狸，从而得以潜入动物社群内部，更以“人类思维闯入动物本能”的独特视角，揭开一场充满意外与温情的野外探险。
笔仙大战贞子
思雨,孙静雯,杨青霖,黄佳军,张冰倩,郑跃,雷鸣,袁国纲,张磊,曹云青,周以诺,冯惠,崔博涵圣涵高中同寝室的三姐妹，经常被学姐微微欺辱，不堪忍受的三人为了报复微微，将一段被诅咒的死亡视频发给了她，至微微死亡。然而，姐妹三人也难逃贞子缠身的诅咒，室友莉娜离奇死去。走投无路的两姐妹，决定请笔仙帮忙对付贞子，不料却招来了另一个强大的恶灵，中日两大女鬼大战一触即发……
大佛普拉斯
庄益增,陈竹升,戴立忍,张少怀,陈以文,纳豆,丁国琳,李永丰,朱约信,雷婕熙,林美秀,小亮哥,游安顺,梁赫群,脱线,郑宇彤,鲁文学菜埔（庄益增 饰）是一家雕塑厂的夜间保安，家中有一位重病的老母亲需要照顾。肚财（陈竹昇 饰）是菜埔唯一的朋友，菜埔经常在值夜班的时候把肚财叫过来和他作伴。一天，两人突发奇想决定看一看菜埔的老板黄启文（戴立忍 饰）的行车记录仪里记录了哪些影像，希望向来风流的老板能够贡献出一些精彩的片段以解两个独身男人内心里的寂寞之苦。行车记录仪所记录的影像果然没有让菜埔和肚财失望，但与此同时，两人也发现了黄启文的许多不可告人的秘密。实际上，菜埔和肚财的一举一动皆没有逃过黄启文的眼睛，为了保住自己的地位和名声，他决定采取一些必要的行动。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster