内情
有一天，一个女人（冰）的人死了，他要去警察局找来了。更令人吃惊的是，她是他的妻子的。实际上，警察们看的男人（周革）已经被杀了。她的丈夫最近我交给了闻名的考虑企业的董事长。他那悲惨的客厅里被人发..海外影视
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怪形
库尔特·拉塞尔,威尔福德·布利姆雷,TK·卡特,大卫·科列侬,凯斯·大卫,理查德·戴萨特,查尔斯·哈拉汉,Peter Maloney,理查德·马苏尔,唐纳德·莫法特,乔尔·波利斯,托马斯沃特斯,诺伯特·魏塞尔,拉瑞·弗兰科,纳特·欧文,阿德里安娜·巴比欧,约翰·卡朋特,杰德1982年冬天，挪威科考队的一架直升机突然打破了南极大陆的平静，直升机疯狂的追逐一只雪橇犬，最后坠毁在美国科考营地的附近。美国科考队员对挪威考察队近期人员骤减的情况有所耳闻，于是飞行员麦克（Kurt Russell 饰）与众人赶赴挪威营地，结果看到的是一地破败中四处散落着奇怪的尸体，并有证据表明挪威人得到了某种冰封状态中的生物。医生布莱尔（Wilford Brimley 饰）研究了尸体的变异却无法破解成因。当晚，犬笼中的狗遭到袭击并发生了变异，一种不可知的生物正在这孤寂的南极大陆威胁着科考队员们的生命…… 本片翻拍自1951年由霍华德•霍克斯指导的《The Thing From Another World》。
半身死灵2
岩田小百合,仲村美羽,长宗我部阳子,松岛初音,真知里沙,山本彩乃,朝仓蜜柑,安藤成子,水木薫,川上洋一郎,大岛优子经历了最可怕的一段过去，可奈（大岛优子 饰）已经精神接近崩溃，残酷命运的安排，让她最终也无法逃脱半身死灵“嗒卡嗒卡”的猎杀。路过事故现场的水谷菜月和中岛玲子是就读同一所高中同一班级的好友，她们的学校即将举行文化祭。担任文化祭委员的玲子无意中触怒了班内小集团的头头刀根绘梨香，由此遭受了无休无止的孤立和欺凌。菜月看在眼里，却不敢组织，只能随波逐流。终于有一天，再也无法忍受的玲子将希望寄托在半身死灵身上，她将与绘梨香亲近的同学相继骗到人行天桥，目睹她们被猎杀的残忍一幕。 菜月终于发现了好友的秘密，她尝试阻止，并且了解到半身死灵的背景和不为人知的过去，可是为时已晚……
南方时光
陈玄力,吴慷仁,孙淑媚,黄迪扬,谢以乐,苏韦华,黄工芸,朱俐安,郑有杰小洲总是背着父亲薛大队长在学校调皮捣蛋，这次跟死党小马与胖雄又闯祸了，训导主任牛头于是一状告到薛大队长那里。父亲将小洲痛责，更在他书包里搜出小马的香烟，为此又将小洲严惩。小洲含冤受屈后愤而出走，心中更暗盼父亲可以从这个家消失；没想到当晚从对岸发射的两颗导弹竟令小洲如愿，薛大队长必须离家往前线去。父亲不在家，小洲与小马、胖雄的行动更肆无忌惮，却因此而惹上学校的小霸王大毛。小洲为对抗大毛，求助于国宅帮的少年头头A 司；A 司答应帮忙，却要三人付保护费。 三人夹在大毛与 A 司之间，饱受两方威胁。这时台湾面临战争边缘，股票大跌，总统直选在即，民间吹起移民潮。1996 年的南方时光，纷扰躁动，回想起来令人惘然。
罗生门
三船敏郎,京町子,森雅之,志村乔,千秋实,上田吉二郎,本间文子,加东大介罗生门，日本京都的正南门。云游和尚、砍柴人和乞丐在城门底下避雨，三人闲聊，话题开始，故事的序幕拉开：一个武士和他妻子路过荒山，遭遇了不测。妻子被侮辱，而武士惨遭杀害。惨案如何酿成？凶手、妻子、借武士亡魂来做证的女巫，都各有说法。真相只得一个，但是各人提供证词的目的却各有不同。为了美化自己的道德，减轻自己的罪恶，掩饰自己的过失，人人都开始叙述一个美化自己的故事版本。荒山上的惨案，成了一团拨不开看不清的迷雾。谈论完毕，雨过天晴。砍柴人在罗生门旁发现一个哭泣的弃婴。他决定收养下来，抱着婴孩往夕阳深处走去。
边境交易
Abylai MARAT,Omurbek IZRAILOV,Meerim ATANTAEVA,Begaiym ASANAKUNOVA,Akylbek MURATALIEV,Jenishbek SMANOV,Atai OMURBEKOV在吉尔吉斯与哈萨克边境，两名毒贩为钱途踏上一场艰险旅程，意外遇见刚从奴役中逃脱、满身伤痕的女孩。正当他们试图协助女孩越过边界，她却再度落入险境，他们决定不惜一切代价，也要将女孩带回其家人身边。中亚自然景观壮丽，奔流不息的河水却成为了人与人之间无法逾越的边界。导演以离家工作却惨被人口贩卖的家人的亲身经历出发，探讨人在压迫下的道德两难，以及内疚与遗憾如何塑造生命。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.