花花性事
电影通过五个故事，展现了现代都市男女对待性与爱截然不同的态度。 平淡的生活让艾比（克莉丝汀·布丝KristinBooth饰）和安德鲁（JoshDean饰）心生厌倦，他们挖空心思，想要让爱情变得新奇和刺激一些，然而，这样做真的好吗？ 在马特（亚伦·艾布拉姆斯AaronAbrams饰）和克里斯（卡莉·波普CarlyPope饰）之间，一直维系着一种淡淡的感情，然而那份感情却并不是爱情，他们两都想知道的是，真正的爱情究竟什么时候才会降临呢？ 曾经的恋人米娅（桑娅·本妮特SonjaBennett饰）和艾里克（乔什·库克JoshCooke饰），两人都十分怀恋过去的恋情，可没有一个人愿意倾吐真实的心意。 肯（卡鲁姆·布鲁CallumBlue饰）对女友隐瞒了自己是花花公子的事实，但很快他便发现，自己并不是唯一一个有秘密的人海外影视
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剧情提要
电影通过五个故事，展现了现代都市男女对待性与爱截然不同的态度。 平淡的生活让艾比（克莉丝汀·布丝KristinBooth饰）和安德鲁（JoshDean饰）心生厌倦，他们挖空心思，想要让爱情变得新奇和刺激一些，然而，这样做真的好吗？ 在马特（亚伦·艾布拉姆斯AaronAbrams饰）和克里斯（卡莉·波普CarlyPope饰）之间，一直维系着一种淡淡的感情，然而那份感情却并不是爱情，他们两都想知道的是，真正的爱情究竟什么时候才会降临呢？ 曾经的恋人米娅（桑娅·本妮特SonjaBennett饰）和艾里克（乔什·库克JoshCooke饰），两人都十分怀恋过去的恋情，可没有一个人愿意倾吐真实的心意。 肯（卡鲁姆·布鲁CallumBlue饰）对女友隐瞒了自己是花花公子的事实，但很快他便发现，自己并不是唯一一个有秘密的人海外影视
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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她是一位国标舞者，却在重大赛事的紧要关头遭遇危机，幸好有位街头舞者挺身而出，不顾自身过往的伤痛，担任她的出赛舞伴。