美女看守霸凌女囚
想成為攝影師的小薰忍受著低薪當助理，還遭受攝影師霸凌，同為助理的前輩小岬見到哭泣的小薰邀她同住自己公寓。小薰愛上小岬弟弟阿忍，三人生活在同個屋簷下看似順遂，但小薰卻不經意目睹了小岬和阿忍的姐弟戀……
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剧情简介
想成為攝影師的小薰忍受著低薪當助理，還遭受攝影師霸凌，同為助理的前輩小岬見到哭泣的小薰邀她同住自己公寓。小薰愛上小岬弟弟阿忍，三人生活在同個屋簷下看似順遂，但小薰卻不經意目睹了小岬和阿忍的姐弟戀……
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东汉末年，天下大乱。曹操讨董卓、迎天子、战官渡，成为一代英豪，与袁绍和刘协等人一起用选择和行动回答了“我从哪里来？我的使命是什么？我是天上哪颗星？”
藏獒多吉
少年田劲的父母早年为了将西医带入藏地做出了无数的牺牲，由于无法适应高原的生活，田劲的妈妈带着尚在襁褓中的儿子返回内地，爸爸拉格巴则在高原继续着他的事业。数年过后，妈妈病故，无依无靠的田劲来到高原寻找爸爸，然而心中却藏着无数的怨恨。拉格巴终日忙碌行医，任凭儿子自行学习牧羊。某天，田劲遭到狗熊的威胁，幸亏一只金色的藏獒相助，后来更因种种机缘让他与这只名叫多吉的藏獒成为最亲密的朋友。与此同时，草原上出现了专门残害生灵的恶魔，牧民的平静生活被彻底打破……本片根据杨志军的小说《藏獒》改编，由中日两国联合制作，日本著名漫画家浦泽直树还担任了人设和导演的工作。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.