拯救与保护
当代俄罗斯影坛最重要的导演亚历山大;索科洛夫，于1989年将《包法利夫人》创造性地改编成《拯救与保护》，其作品的典型主题和特征都出现在这部影片中：宗教思想，灵与肉的剧烈斗争，对死亡的迷恋，以及细致的心理物理艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。 亚历山大索科洛夫是当代俄罗斯影坛最重要的导演，认为是塔可夫斯基的精神继承人。虽然这样的比较多少抹煞了一些索科洛夫的个性，但两者之间确实存在不少相似之处：对长镜头的偏好，演员的自然表演，以及对于人类存在的本质问题和精神领域的共同关注。。
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热门影视 大家都在看
下女1960
金振奎,朱曾女,李恩心,严莺兰沉默的镜像
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杰森·缪斯,理查德·雷西尔,Luke Guldan,Tyler Johnson世界末日2022
安妮·海瑟薇,杰瑞米·斯特朗,安东尼·霍普金斯,杰西卡·查斯坦,多米尼克·隆巴多兹,托芙·菲尔德舒,玛西娅·让·库尔茨,泰迪·库卢卡,迈克尔·班克斯,安德鲁·波尔克黑天鹅1942
泰隆·鲍华,玛琳·奥哈拉,拉尔德·克雷加,托马斯·米切尔,乔治·桑德斯,安东尼·奎恩,乔治·祖科同类推荐
野蛮的囧妃：时空黑洞
袁晓旭,张嘉佑,胡浩帆,黄一山一个关于“时间胶囊”的机密研究项目，因能量块失窃陷入危机，引发了一系列时空穿越事故。现代人苏宝银意外接触到形似手机的能量块，流离于古代异时空和二十一世纪现代两个世界之间，美颜国王爷霍靖及两个随从为寻找她，也被意外卷入时空黑洞闯入现代。三个古代呼风唤雨的王爷将军，走入了完全陌生的现代世界，陷入囧境啼笑皆非。回到现代的苏宝银在思念王爷的同时，遇上了英俊睿智的孙警官，这背后又隐藏着什么样的惊天阴谋呢？当正义战胜邪恶，当一切终结，苏宝银又回到了原点，再遇她的爱人，却已形如陌路......
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
逆转劫局
乌戈·席尔瓦,埃玛·苏亚雷斯,娜塔莉·波萨,巴巴拉·戈纳加,丹尼尔·佩雷兹·普拉达,苏珊娜·阿巴图纳·戈麦斯,坎迪多·乌兰加,Alexandra Prokhorova,Richard Sahagún,费尔南多·阿尔比祖焦急的母親菈葵兒（艾瑪蘇雷茲飾演）到銀行借錢，她必須在24小時內籌到35000歐元（約新台幣130萬元），否則她將再也見不到心愛的女兒。經過不斷懇求，銀行終於同意借款給她救急。不料在貸款手續快要完成之時，兩個蒙面搶匪闖入銀行，不但搶走所有錢，就連在場所有顧客與行員都成為人質。在分秒必爭的險境當中，菈葵兒決定無論付出什麼代價，都一定要拿到這筆錢全身而退…。究竟她該如何保住性命？又該如何籌錢保住女兒呢？
分享镇
达科塔·约翰逊,阿德里娅·阿霍纳,凯尔·马文,迈克尔·安盖洛·科维诺,西蒙·韦伯斯特,查理·吉尔莱斯皮尔,大卫·卡斯塔尼达,O·T·法格本,娜赫玛·里琪,蒂龙·本斯金,尼可拉斯·博朗,莱奥·亨尼利,罗宾·吉伦,利蒂希娅·布鲁克斯,泰勒·豪尔,艾米丽·欧康纳,卢克·麦克菲尔,让-克劳德·莫莱斯,贾·旁,杰西卡·马图琳,斯蒂芬·阿德科鲁,尼古拉斯·波舍尔在阿什莉提出离婚后，凯里向好友朱莉和保罗寻求慰藉，却发现这对表面幸福的夫妻实则奉行开放式婚姻。但当凯里逾越界限时，所有人的感情生活都陷入了混乱漩涡。
看不见的女儿
阿登·杨,茱莉亚·莎拉·斯通,Camille SullivanA man, who years earlier mysteriously abandoned his family and isolated himself in a small northern town, returns for one last chance to reconnect with his troubled daughter. When she goes missing, he risks everything to find her, including exposing the fact that he is becoming invisible.