哥哥的女人 La mujer de mi hermano
宫泽罗（马诺洛·卡尔多纳 饰）热爱绘画，对家族工厂的经营毫无兴趣，他生性不羁，不喜欢受束缚。他的哥哥伊那里奥（克里斯蒂安·梅埃尔 饰）一人打理着父亲留下的工厂，对弟弟置之事外的态度颇有微词。伊那里奥的漂亮妻子佐伊（芭芭拉·默瑞 饰）难以忍受 他的刻板和忽视，渐渐地被宫泽罗的性情和才华所吸引，两人逐渐发展出不伦之恋。佐伊的男闺蜜波里斯是个同性恋，他怂恿鼓励佐伊的做法。伊那里奥和妻子无法生育，而有一天佐伊却发现自己怀孕了，当她把消息告诉宫泽罗时，他却摆出了无情的嘴脸。最后伊那里奥原谅并接受了佐伊的事情，但却告诉了她一个长久以来的秘密......
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祖鲁
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Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster