华魂
ピンク映画界で異彩を放ち、ピンク四天王のひとりに数えられる鬼才・佐藤寿保監督が、壮絶ないじめを受けた女子高生の反撃を描く恐怖映艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。転校生の青沼瑞希はクラスの彩らに毎日いじめられていたが、同じいじめられっ子の桐絵、柴内と仲良くなり、3人で彩たちへ対抗しようと決める。しかし、その矢先に瑞希はリンチに遭い、桐絵と柴内も変態的な趣味をもつ教師に暴行やレイプを受ける。復讐を誓う瑞希に、まがまがしい「華魂」が憑依し、華魂の放つ狂気により瑞希は暴走を始める。脚本は「苦役列車」のいまおかしんじ、音楽にNHK連続テレビ小説「あまちゃん」の大友良英。
即刻观影
剧情赏析
编辑推荐
新·胡闹将军
松平健,西畑大吾,生濑胜久,高岛礼子,藤间爽子,小泽征悦,胜村政信,小野武彦,木村了,驹木根葵汰,内藤秀一郎,神威乐斗这次特别篇的舞台，是吉宗治世20多年后的江户城。原创系列中年轻的将军吉宗也面临着六十大寿的继承问题。剧中保留了系列的世界观和魅力，在继承问题上摇摆不定的吉宗和江户城内的人们的模样，以及在城下町发生的阴谋漩涡的疑难事件，将被加入新的角色和时代性来描绘。
弹道无痕
赵岩松,陈大伟,王玉璋,刘大伟,魏琦根据徐贵祥同名小说改编。 铁匠的儿子石平阳带着父亲的嘱托参军来到炮兵部队。他的一股冲劲，受到营长庄必川的喜爱，老班长李四虎更喜欢石平阳不服输的劲头。李四虎是技术尖子，他对新战士训练十分严格，新战士进步很快。他把石平阳视作接班人，要在自己退伍之前把经验全部传授给石平阳，甚至以故意装病，让石平阳独立完成训练课目。石平阳进步很快，年终还荣立了三等功。和他一起入伍的女兵张媚对他也另眼看待。教导队招收骨干，进教导队就能报考军校，成为军官。营长担心比武缺了石平阳影响成绩，因此改派与石平阳一同入伍的王北风去了教导队。机会得而复失，石平阳有些想不通。父亲去世了，指导员让他回家料理，但他走到半路，想起父亲的嘱托，毅然返回连队。李四虎复员了，石平阳接任班长，他把老班长的好传统全部继承下来，爱兵、爱炮、爱部队，技术精益求精。同时入伍的王北风和张媚进了军校，石平阳仍然当班长。排长调走了，石平阳任代理排长，这时，他入伍已有八年。团里为了留住他，让他准备报考军校。就在这时，新战士刘发展一封虽事出有因但严重失实的告状信，使他又失去了上军校的机会。石平阳要复员了，副团长庄必川舍不得他离开，从车站把他接回，团党委特别决定把他留下。石平阳又回到排里，他对刘发展更严格、更耐心训练和要求，使刘发展深感内疚。几年后，参谋王北风到部队检查工作，见到石平阳仍是上士，不免生出许多感触。在集团军的军事演习中，石平阳指挥火炮群的准确射击，令首长和指挥员们赞叹不已。石平阳多年操纵的火炮由新式火炮取代了，他虽有些恋恋不舍，但他立即和战友们开始学习掌握新的火炮，迎接新的挑战。不久，石平阳被破格提拔为中尉连长。
王胜：紫色
王胜...
亚伯拉罕先生
Omar Sharif,伊莎贝尔·阿佳妮,伊莎贝尔·阿佳妮 Isabelle Adjani15岁的以色列小男孩莫塞斯（Pierre Boulanger 饰）和父亲（Pierre Boulanger 饰）住在巴黎蓝色大道一幢贫穷脏乱的公寓中。母亲（Isabelle Renauld 饰）离家出走，父亲整天沉迷于书本，还编造出一个并不存在的优秀的哥哥打击莫塞斯。本该享受童年快乐的小男孩压抑阴郁，在附近的流莺献出了自己的第一次。莫塞斯去附近的土耳其穆斯林亚伯拉罕先生（Omar Shariff 饰）的杂货店里偷盗，被亚伯拉罕发现。和蔼的老人原谅了眼前这个小男孩，并亲切地向他传授知识，一老一少从此展开一段弥足珍贵的忘年交……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
马路天使
珍妮·盖诺,查尔斯·法莱尔,娜塔莉·金斯顿,亨利·阿尔梅塔,圭多·特伦托,阿尔贝托·拉巴利亚蒂,路易斯·利格特,弥尔顿·迪克森安吉拉（珍妮·盖诺 Janet Gaynor 饰）的母亲身患重病，急需药物进行治疗。生活在穷困潦倒之中的安吉拉无奈之下只能行窃救命，她的举动自然遭到了警方的通缉和追捕，安吉拉就此踏上了逃亡的旅途。 途中，安吉拉来到了一个马戏团之中，隐姓埋名成为了其中的一名演员，这正好帮助她拜托了警方的纠缠。在马戏团中，安吉拉邂逅了名为基诺（查尔斯·法莱尔 Charles Farrell 饰）的年轻画家。基诺虽然有着一身的才华却依旧只是一个名不见经传的无名画家，安吉拉的出现激发了他的灵感，帮助他取得了事业上的成就，坠入爱河的两人决定结婚，但在婚礼举行之际，警方还是发现了安吉拉的踪迹。