性感女邻居
两队邻居,一个家庭主妇,一个家庭主男,主妇被丈夫虐待,主男无法满足老婆,两人经常互吐衷情,终于,两人慢慢走到一起,突破了最终防线.....艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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剧情提要
两队邻居,一个家庭主妇,一个家庭主男,主妇被丈夫虐待,主男无法满足老婆,两人经常互吐衷情,终于,两人慢慢走到一起,突破了最终防线.....艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
暗夜精选
星河战队3:掠夺者
卡斯帕·范·迪恩,乔琳纳·布拉洛克,斯蒂芬·霍根,波瑞斯·科乔,阿曼达·多诺休,玛内特·帕特森,斯特里奥·萨万特,坦娅·范·格拉恩,Antonio Summerton,Nicole Salandra,柯基·法尔考,史蒂芬·詹宁斯,Rob Vega,格兰特·斯旺比,Damon Berry,乔·瓦兹,卡尔·桑宁,蒂龙·基奥,凯文·奥托,劳伦·麦格雷,Tarryn Page,邦戈·姆布图马,科里·伯顿,凯瑟琳·奥克森伯格我的生命之光
卡西·阿弗莱克,伊丽莎白·莫斯,安娜·尼奥斯基,汤姆·鲍尔,蒂莫西·韦伯,蒙克·塞雷尔·弗里德,赫罗斯加·马修斯奇迹梦之队
凯莱布·麦克劳克林,加布里埃尔·尤尼恩,斯蒂芬·库里,妮可拉·考夫兰,尼克·克罗尔,大卫·哈伯,詹妮弗·路易斯,帕顿·奥斯瓦尔特,Jelly Roll,亚伦·皮埃尔,鲍比·李,安德鲁·桑提诺,雪莉·可拉,爱德华多·弗兰科,詹妮弗·哈德森,阿伊莎·库里北京猿人
绪形直人,王祖贤,哀川翔,丹波哲郎,坂上忍,小野贤章黑色城堡
Evgeniy Shvarts,维罗妮卡·乌斯蒂莫娃,叶夫根尼·斯迪查金,琳达·拉宾什,阿纳斯塔西娅·克拉索夫斯卡娅,Aleksandr Girenok远古狂蟒
Diego Escobar,Giselle Garci,Hannah Hueston,Jordan Iverach,菲利浦·卡纳,多米尼克·基汀,Maureen Kedes任务迷走72小时
鲁克·高斯,博基姆·伍德拜因,路易·曼迪勒,马克·可汗,莱昂纳德·凯利-扬,海瑟·洛普,布鲁克·纽顿,罗伯特·菲茨杰拉德·迪格斯,雷弗·甘特沃特幕后花絮
死在那年夏天
乔伊是学校里公认的校花,她拥有着美丽的面孔和优越的身世,毫无疑问每日生活在幸福之中。然而某一日,这位集万千宠爱于一身的可爱姑娘却在社交网络上留下了“我想死”的绝望信息。阿信是乔伊的男友,两人之间感情十分要好,看到女友闷闷不乐的样子,阿信决定同好友阿敢一起,带着乔伊和她的闺蜜小敏前往海边度假。 众人本以为,这会是一场充满了疯狂和欢乐的旅程,然而,乔伊的惨死却为这场派对蒙上了惊悚恐怖的阴影。余下的三人受到了不小的惊吓,他们决定隐瞒整个死亡事件,希望生活能够就此回归平静。不过显现,乔伊的冤魂并不愿意放过他们。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.