火舞间3D：癫马夜总会
Afterhavingreceivedanumberof“GuestCreatures”onitsmythicalstagesuchasDitaVonTeese,itisChristianLouboutin’sturntotakeoverLeCrazyHorse.ThefamouscreatoroftheredsolerevisitstheCrazyshow. The3Deffectsaddedduringpostproductionlikesequins,water,flamesandsmokereinforcetheimmersion.“Wedrawtheeyeasclosetothebody,themuscles,t..国外三级
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热门影视 大家都在看
英雄三元里
严屹宽,刘秋实,孙昊,闻雨,王光辉,孙蛟龙,陶奕希,方洋飞,文东俊,李圣雄,王禹森,吕文军,陆丰,爱多,马铁摩灭绝2015
马修·福克斯,杰弗里·多诺万,奎恩·麦克科甘,Valeria Vereau,克拉拉·拉戈,Eduardo Fedriani,Matt Devere,Alex Hafner,Jeremy Wheeler,Katharine Bubbear,丽丽·博尔丹,胡里奥·佩里兰,Orsolya Bene,Adam Zambryzcki,nm5099682 Daniel Bargueño星际之旅：木星计划
让-尼古拉·韦罗,朱莉·佩罗特,Julien Deschamps Jolin,Nadia Essadiqi,Pierre Verville,Marie-Ginette Guay,Roberto Mei,Ted Pluviose,Raphaël Lacaille,Hubert Gagnon风车小骑士
Facundo Reyes,Marina Blanke,Julian Janssen关你茶室
Yuriko Heng,K-Lao,赖宇涵,李国煌,Morn Liew,Joshua Se,Songbill,邓金煌,Mayjune,黄楚琳,王竣阿尔及尔之战
卜拉欣·哈贾季,让·马丹,Yacef Saadi,Samia Kerbash,Ugo Paletti,Fouzia El Kader,Mohamed Ben Kassen同类推荐
汪星人训练营
亚历山德拉·玛丽亚·拉娜,大卫·史崔梭德,安娜·赫尔曼,多加居·雷尔,鲁里克·吉斯拉松,Kerim Waller五个狗主人带着他们淘气的狗狗向山中的传奇老师寻求帮助——但需要接受训练的并不是他们毛茸茸的朋友。
13个日夜
罗什迪·泽姆,琳娜·库德里,西瑟·巴比特·科努德森,克里斯托弗·蒙特内兹,伊安·蒂阿尔,法蒂玛·埃多姆,肖艾布·赛义德,赛义德·哈希米,本杰明·希克戈尔,西纳·帕瓦内赫,路易吉·克勒纳,尼可拉斯·布里代,雅典娜·史催特,埃纳尔·哈拉尔松,埃文特·斯特朗,汗·布尔汗,奥马尔·达纳亚,让·克洛德·穆阿卡在塔利班接管喀布尔期间，阿富汗军队守卫着法国大使馆。他们肩负着在混乱中疏散500人至机场的任务，在试图绝望逃离这座正在沦陷的城市时，面临着巨大的风险。
圣安地列斯地震
Jhey Castles,Jason Wood,格瑞思·范·迪恩Molly Dunn（Jhey Castles 饰）从小热爱地理，她曾在半夜做实验闹得家人不得安宁，但是她并不是一个十分幸运的孩子，父亲很早就死于一场地震灾害中。长大后Molly成为了一名地质学家，在一所大学教书，某天她正在做一项预测地震的试验，安放在各处的传感器数据显示即将会有一场大地震发生，她必须通知所有人撤离，但是她的力量实在太薄弱了，并没有人愿意听信她的预测，地震如期而至，她只有与时间赛跑，尽可能的拯救更多的人。
180度
德斯蒙德·杜布,法纳·莫科纳,Prince Grootboom,Warren Masemola,邦基尔·曼赛...
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.