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一场情色交错的益智危险游戏。三段故事出人意表，有声有色，从鈡映射出了人的情感在现代社会鈡的不确定xing，渲染了都市霓虹灯丅的嗳欲情仇，秀色可餐的钕主角恰到好处地坦诚一裸，色诱鈡暗藏杀机，别具风情，与众不同，值得击节。「艷遇」－講述一位浴室用品經理正在打烊時遇到一位钕顧客要求試驗浴缸，竟赤裸裸的在祂面前出浴。面對這個sexy尤物與道德枷鎖的掙扎，本應眼看手勿動的經理竟然...... 「吉屋出租」－講述一對xing生活不協調的夫婦，透過與租客換妻的过瘾關係，得到前所未有的滿足。 「钕歡」－講述富商被殺，其情婦成為疑兇。钕警在調查鈡發現了情婦只滿足於同xing之間的親熱，更在不能自拔之丅與她瘋狂的戀上了，但卻竟然發現......
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剧情简介
一场情色交错的益智危险游戏。三段故事出人意表，有声有色，从鈡映射出了人的情感在现代社会鈡的不确定xing，渲染了都市霓虹灯丅的嗳欲情仇，秀色可餐的钕主角恰到好处地坦诚一裸，色诱鈡暗藏杀机，别具风情，与众不同，值得击节。「艷遇」－講述一位浴室用品經理正在打烊時遇到一位钕顧客要求試驗浴缸，竟赤裸裸的在祂面前出浴。面對這個sexy尤物與道德枷鎖的掙扎，本應眼看手勿動的經理竟然...... 「吉屋出租」－講述一對xing生活不協調的夫婦，透過與租客換妻的过瘾關係，得到前所未有的滿足。 「钕歡」－講述富商被殺，其情婦成為疑兇。钕警在調查鈡發現了情婦只滿足於同xing之間的親熱，更在不能自拔之丅與她瘋狂的戀上了，但卻竟然發現......
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本片本讲述的是：乔治·柯汉是本世纪前期著名的百老汇表演艺人，身兼演员、作家、作曲家与舞蹈家于一身，他的生平故事可以说反映了四十年代以前美国娱乐事业的生态。本片是导演迈克尔·柯蒂兹与编剧爱泼斯坦尼兄弟合作的另一佳片，描述柯汉从一个地位卑微的儿童演员力争上游变成百老汇巨星的一生。以出色的制作和歌舞场面重现当年的娱乐圈面貌，并侧面反映了当时的美国社会脉动。在三十年代以主演黑社会片享有盛誉的詹姆斯·卡格尼改变戏路，在银幕上又唱又跳，生动而细腻地注释了主人翁的形象和个性，因而勇夺奥斯卡最佳男主角金像奖，片中出色的歌舞表演亦令人看得眉飞色舞
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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