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剧情简介
国外三级
同类好片
导师2025
Sornram Aneklap,帕林亚·昂萨南,塔那万·霍查雷拉哈,尼措空·卡琼伯利叻,因托楚克·英拓楚克·倥拉玛苏皖,Sueangsuda Lawanprasert草迷宫恐怖杀人事件
Joem Bascon,吉莉安·维森乔,Kristof Garcia四封情书
费昂·奥谢,安·斯凯利,皮尔斯·布鲁斯南,海伦娜·伯翰·卡特,加布里埃尔·伯恩盖世神功
林雪,钟一宪,张全蛋,林盛斌,金刚,罗家英,詹瑞文,陈启泰,刘亭希,林敏骢,李尚正,庄锶敏,郑恕峰,罗莽,郭政鸿,李昊祖柏蒂娜的苦泪
玛吉特·卡斯滕森,汉娜·许古拉,卡特琳·沙克,埃娃·马特斯,吉塞拉·法克尔代,伊尔姆·赫尔曼夺命网红2
卡桑德拉·诺德,乔治娜·坎贝尔,丽莎·德拉马尔,乔纳森·怀特赛尔,维罗妮卡·隆,迪伦·普莱费尔人气佳作
勿扰警告
欧文·马肯,安娜·斯科莱姆,Tereza Srbova,Anthony Jabre维也纳战役
F·默里·亚伯拉罕,恩里克·洛维索,杰兹·斯科利莫夫斯基,艾丽卡·巴赫蕾达-库鲁斯,彼得·亚当奇克,Andrea Iaia,克莱尔·布鲁姆,Matteo Branciamore,Marius Chivu,安东尼奥·库普,乔治·卢帕诺,菲德莉卡·马丁内莉,詹尼·穆西,达尼尔·奥勒布里斯基,伊莎贝拉·奥尔西尼,波利斯·席克,约尔戈·沃亚吉斯,山内春彦,沃伊切赫·麦克瓦尔达斯基,白兰度·帕奇托,安吉丽卡·卡琪亚帕格莉亚,马达林·德拉甘,斯蒂芬·扬库,Edward Linde-Lubaszenko,Daniel出卖她的肉体
弗里达法瑞尔,加布里埃尔·奥尔德斯,马修·马斯登我的老婆是明星
周柏豪 ,刘心悠,林德信,蔡洁,蒋志光,李尚正,郭伟亮,叶佩雯,朱薰,李日朗,杜德伟,连诗雅,卢海鹏,林盛斌,邵美琪,车婉婉,庄锶敏,田启文,赵硕之,古天祥,符晓薇,黄文慧,余慕莲,王晓君,李润庭,可宜导演精选
匹配
影片是一部围绕约会匹配软件展开的原创悬疑片,恋爱方面晚熟的婚礼策划人轮花(土屋太凤 饰)被同事推荐了配对APP,虽然和一位男士匹配成功,但是出现在约会中的他却和照片完全不一样。与此同时,发生了针对APP用户的连环杀人事件,事件朝着意料之外的方向发展,魔爪也渐渐逼近了轮花...佐久间大介饰演与主人公·轮花相遇,纠缠不休的跟踪狂·永山吐梦。
断魂小丑
故事发生在万圣节的当晚,塔拉(Jenna Kanell 饰)和道恩(Catherine Corcoran 饰)醉醺醺的从一个派对中离开,走在清冷的大街上,两人打算去一家披萨店弄点吃的,一个小丑打扮的男人尾随她们也进入了店里,虽然小丑的样貌十分可怖,但个 性似乎还挺可爱的,除了他把店里的厕所弄的一团糟,气炸了店主。 之后,塔拉和道恩离开了店里,塔拉进入了一间公寓上厕所,道恩在路边等她,小丑再度出现在了她的身后,这一次,小丑想做的便不仅仅是逗她笑这么简单了。小丑打晕了塔拉,当塔拉再度醒来时,映入眼帘的,是被倒挂的道恩和在一边手持电锯的小丑。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster