女性无赖传说侦查和酷刑

★ 8.1 播放:71万 更新:2026-05-23

《女黑帮的故事/女性无赖传说之侦查和酷刑》的详细剧情提供《女黑帮的故事/女性无赖传说之侦查和酷刑》迅雷下载,《女黑帮的故事/女性无赖传说之侦查和酷刑》BT种子下载,《女黑帮的故事/女性无赖传说之侦查和酷刑》下载,本片由1973年日本地区星野导演亲自编导拍摄,由池玲子 石井辉男 铃木则文 芦川诚 春日朱美 爱川惠美 早乙女参与本片主演。刚刚乘汽轮抵达神户港的小蝶(池玲子饰),被女扒手好美(爱川まこと饰)当作毒品运输人带到藏毒窝点,遭到黑社会分子的严刑拷问。千钧一发之际,从监狱出来的混混让二(内田良平饰)解救了小蝶。小蝶旋即抓住好美,得知自己误被拷问的原因。原来码头黑帮的残党浅吉(安部撤饰)等众,利用女扒手从横滨偷运毒品,阴差阳错遭遇小蝶。他们使用唐人街中国女性,走私毒品到日本,欧丘里欧被意外抓获贩毒卡特尔,毒品隐藏在她们的阴道,她们塞藏及抽取毒品都要裸身详细检查女孩私处......让二入狱中其老大被人杀害,老大独生女清子(星野みどり)下落不明。他和小蝶联手追查,发现一切都指向了毒品贩运团伙,他们要杀除知道这个运毒的女人,一场小蝶和让二,联手十多名裸女,与恶男集团激战在所难免

在线播放

剧情简介

《女黑帮的故事/女性无赖传说之侦查和酷刑》的详细剧情提供《女黑帮的故事/女性无赖传说之侦查和酷刑》迅雷下载,《女黑帮的故事/女性无赖传说之侦查和酷刑》BT种子下载,《女黑帮的故事/女性无赖传说之侦查和酷刑》下载,本片由1973年日本地区星野导演亲自编导拍摄,由池玲子 石井辉男 铃木则文 芦川诚 春日朱美 爱川惠美 早乙女参与本片主演。刚刚乘汽轮抵达神户港的小蝶(池玲子饰),被女扒手好美(爱川まこと饰)当作毒品运输人带到藏毒窝点,遭到黑社会分子的严刑拷问。千钧一发之际,从监狱出来的混混让二(内田良平饰)解救了小蝶。小蝶旋即抓住好美,得知自己误被拷问的原因。原来码头黑帮的残党浅吉(安部撤饰)等众,利用女扒手从横滨偷运毒品,阴差阳错遭遇小蝶。他们使用唐人街中国女性,走私毒品到日本,欧丘里欧被意外抓获贩毒卡特尔,毒品隐藏在她们的阴道,她们塞藏及抽取毒品都要裸身详细检查女孩私处......让二入狱中其老大被人杀害,老大独生女清子(星野みどり)下落不明。他和小蝶联手追查,发现一切都指向了毒品贩运团伙,他们要杀除知道这个运毒的女人,一场小蝶和让二,联手十多名裸女,与恶男集团激战在所难免

导演精选

莎拉的石油

  一个出生在印第安区的黑人女孩意外继承了一片充满石油的土地,汹涌的黑金下,她将面对攫取、迫害、偏见、中伤,并用她的意外横财去帮助他人。

爱情背叛

一场车祸夺走了莱利的生命,她近乎完美的生活突然中断,留下一个没有母亲的家庭。随着调查的开始,莱利的妹妹凯莉发现这场车祸可能不是她妹妹死亡的真正原因,案件发生了奇怪的转折。

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.