本当に教諭だった彼女がグラビアデビュー ぱつこ

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　在一个肃杀的夜晚，满身伤痕的女孩西恩娜（艾丽森·兰格 Allison Lange 饰）跌跌撞撞冲入公路。她随即被送往医院，在探员赞恩（詹森·伦敦 Jason London 饰）的询问下，惊魂未定的西恩娜终于说出了那段恐怖经历。　　两周前，她和同在医科大学念书的好友斯科特（B.J. Britt 饰）、杰森（尼克·霍尔莫斯 Nick Holmes 饰）、本（C.J. Thomason 饰）、夏侬等人结伴外出游玩。他们驻留在一所古堡，看似一切充满了刺激和乐趣，但是这份无上喜悦很快便蒙上一层阴影。在他们身后，似乎有一个手执手术刀的夺命医生蠢蠢欲动，死神的脚步越来越近。这群踌躇满志的未来医生，俨然成为了手术台上的致命牺牲品……

好莱坞明星Reef Hawk（基努·里维斯 饰）被人以一个神秘视频进行勒索，形象和职业面临崩塌，他必须深入探索自己心中隐藏的恶魔。在多年好友Kyle（卡梅隆·迪亚兹 饰）、Xander（马特·波莫 饰）和应对危机的律师Ira（乔纳·希尔 饰）的帮助下，Reef展开了一场自我反省的旅程，要去补偿任何他可能辜负过的人，想搞清楚勒索者是谁。面临自己的过去，才能拯救自己的未来。

　　《在断崖下》：青年蒲冈大辉（伊藤淳史 饰）将车停在悬崖旁和女友幽会，突然一股神秘的力量将汽车推向悬崖；《6号房间》：女高中生久保有纱（堀北真希 饰）和长泽美奈子等朋友去唱卡拉OK，自从她们使用过诡异的6号房间后，美奈子就变得分外怪异；《不可思议的时间》：为了赶上即将进行的世界杯比赛转播，小职员白石大吾（平冈祐太 饰）匆匆搭上一辆计程车，却在很短的时间内经历了一段漫长的旅程；《四叠半的贵妇人》：森三中的大岛美幸买到一只精致的茶杯，随茶杯一同来到她家的还有一个身穿洋装的贵妇人；《体验者》：市场调研人员今泉诚一（高岛政伸 饰）在某超市调查期间，发现店员似乎正被某个看不见的女人所侵扰；《病栋的绒毛玩具》：某所医院有一只泰迪熊毛绒玩具，所有把玩它的老人都回去世。