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A grieving mother hires an enigmatic stranger to perform a ritual to resurrect her late husband. When the ceremony goes out of control, mother and daughter must overcome their differences and fight for survival.
标题中的「ぶぶ漬け(お茶漬け)どうどす」是一句众所周知的京都表达,京都人常用这句话以委婉的方式传达「差不多该告辞了」的意思。电影《ぶぶ漬けどうどす》以此为主题,展现了因京都特有的县民性而引发的各种闹剧,并展开了一段充满喜剧色彩的故事。影片以从东京嫁到京都老字号扇子店的自由撰稿人澁澤まどか为主人公,描绘了〈京都人〉与从东京而来的〈外地人〉之间的攻防与冲突。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
小学生典道(山崎裕太)与佑价(反田孝幸)等同伴们就烟花升腾而起时是扁是圆展开争论,无果后,众人困惑起来,为了将困惑解决,他们决定趁夏季花火大会的机会去燃放烟花的灯塔上一探究竟。典道和佑价同时暗恋的同学,早熟的少女奈砂(奥菜惠)因为父母离异怀起心事。一场在典道和佑价之间进行的五十米游泳比赛结束后,奈砂单约胜利者佑价陪她去看烟花,不想对方最终决定同大伙一起去灯塔。奈砂最终拉上比赛失败的典道上路,目的地却变成了火车站甚至更远的东京。