まるごと☆夏来唯2【完全版】
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
剧情简介
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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保护者2025
米拉·乔沃维奇,马修·莫迪恩,D·B·斯威尼,唐·哈维,迈克尔·斯塔尔-大卫,滨村洋子,特夏斯·巴特尔,伊莎贝尔·迈尔斯,布鲁克林·苏丹诺,丽迪雅·赫尔,泽维尔·埃斯特拉达,兹亚·格拉卡,Telles Alberto Rene,Lizeth Lopez,Gabriel Sloyer,Arica Himmel,Justin Hurr,Eric Weiss,Shane Williams,Nick GentaFormer war hero Nikki's peaceful life is shattered when her daughter is kidnapped. Thrust into the criminal underworld while hunted by cops and military, she must fight to rescue her child.
蝇变深渊
徐冬冬,娄淇,张德晖,季叶翠该片是一部融合科幻惊悚与人性拷问的电影。影片以虚构的西岸港为背景，讲述了新闻记者濮欣(徐冬冬饰演)在调查跨国企业赛尔斯集团的污染事件时，意外卷入一场由其父亲濮教授(张德晖饰演)所在的孤岛实验室引发的基因灾难。当实验创造出嗜血变异昆虫并失控后，集团为掩盖真相切断联系、销毁证据，使被困者陷入绝境。为寻找失联的父亲，濮欣与男友江海(娄淇试验)潜入死岛，在怪物横行、通讯断绝的险境中，逐步揭开实验背后的残酷阴谋。
大怪兽加美拉
船越英二,北原义郎,浜村淳,大山健二,吉田义夫,左卜全,村田扶实子,大叶健二大映が初めて手掛けた、1965年制作の本格怪獣映画『ガメラ』シリーズ第1作。監督は、湯浅憲明。北極海上で原爆を積んだ国籍不明機が米軍機によって撃墜され、氷山に墜落した。このため、積んでいた原爆は爆発、氷山に閉じ込められていたエスキモーの伝説の怪獣ガメラが蘇った。巨大な亀怪獣ガメラはその後姿を消し、入れ替わるかのように世界中で謎の空飛ぶ円盤が目撃される。人々の関心が空飛ぶ円盤に移り、ガメラのことが忘れられた頃、再びガメラが北海道にその姿を現した。自衛隊の作戦で仰向けにひっくり返されたガメラ。起き上がることの出来ないガメラに、人々は勝利を確信するが・・・。
零食小屋
加布·拉贝尔,David Costabile,米卡·阿卜杜拉内布拉斯加州，1991年，两个最好的朋友有机会经营游泳池小吃店，后来成为越轨、娱乐、个人发现和浪漫的完美场景。
萨利姆鬼屋事件
小比尔·奥伯斯特,Courtney Abbiati,Jenna Stone新警长一家住进了免费的一个很大的老房子里,但里面却有.... The new town sheriff moves into a large creepy old house with his family. It seems that in the town of Salem there's a special house for the sheriff to live in gratis. Unfortunately it's haunted by witches that have a strong craving for sheriff's blood.
再见十八班
柯焱曦,熊婧文,秦海梧桐中学高二十八班是远近闻名的问题班级，后进生、艺术生、体育生、不良少年聚集在此，以宋宸（柯焱曦 饰）为首的男生帮派和以秦淼淼（熊婧文 饰）为首的女生帮派互相不服，班级混乱无序。一天，高二十八班收到了一封信，这封信自称是由一年后的他们集体寄来。信上说，即将调来的班主任谭 睿明（秦海 饰）会改变十八班，成为对他们最重要的人。然而在一年后的未来，谭老师却永远地离开了他们。为了实现一段没有遗憾的青春，扭转历史，少年们决定按照信上所说，挑战一个个不可能实现的任务...
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.