女虐
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan三名少钕在-效的过瘾丅，视身材为生命的不停用利刃在身上穿孔寻寻快感，嗜食的则用刀叉割丅自己阴部品尝人肉刺身，甚至用叉子挖出自己的双眼，而不知睡眠为何物的，靠辅助仪器和仙人掌沟通的变成了冷血杀人狂
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死亡修女
阿瑞亚·贝得玛,阿尔穆德纳·阿莫尔,Maru Valdivielso,Luisa Merelas,Chelo Vivares,Pablo Guisa Koestinger,康斯薇洛·特鲁希略,Daniela Casas,Olimpia Roch,Sara Roch,Marina Delgado,Claudia Fernández Arroyo,Adriana CamarenaThe film tells the story of how, in post-war Spain, Narcisa (played by Aria Bedmar), a novice with supernatural powers, arrives at a former convent, now a school for girls, to become a teacher. As the days go by, the strange events and increasingly disturbing situations that torment her will eventually lead her to uncover the terrible web of secrets that surround the convent and haunt its inhabitants.
闹鬼校园
中山优马,岛崎遥香,大野拓朗,高桥玛莉润,安井谦太郎,大和田伸也自幼能够看到恐怖幽灵的八神森司（中山优马 饰），在高中时邂逅了被神秘鬼影纠缠的后辈小历（岛崎遥香 饰）。他虽然喜欢对方，却由于自身胆怯的性格始终无法表白。第一年没有考上大学，经过一番努力森司如愿进入期望的高校，并且和小历重逢。在此期间，他听说小历和童年好友加入了某个超自然研究会，联想到高中的事件，森司无法对小历放任不管，于是也硬着头皮加入进去。这群个性满满的年轻人每天追踪各类神秘事件，不久后校园内开始出现离奇现象，而小历也成为恶灵狙击的目标…… 本片根据第19届日本恐怖小说大奖读者奖获得者櫛木理宇的同名作品改编。
137号案件
蕾雅·德吕盖,帕斯卡·桑格拉,克莱尔·博德森,朱利安·利蒂,佛罗伦斯·维亚拉,海伦·亚历山德里迪斯,Solan Machado Graner,安东尼娅·布雷西,杰纳维夫·马尼奇,Christian Sinniger,Sandra Colombo,Côme Péronnet,瓦伦丁·坎帕涅,Mathilde Riu,雅尼克·莫泽尔,古斯拉姬·马兰达,戈捷·巴图埃,Laurent Bozzi,亚历珊德拉·耶尔马克,斯蒂文·德里森「为什么大家讨厌警察？」男孩询问母亲。身为警察的史黛芬妮，负责的却是警察暴力与失职案件调查。2018年，一名青年随亲友来到巴黎参与街头抗议，却因警方开枪，导致永久性脑部损伤。家人提出指控，警方却矢口否认，关键证据亦是不足。内外压力夹攻之下，史黛芬妮仍奋力调查，调阅摄像头比对、还原警员动线，越逼近真相之际，同僚的敌意也越发强烈⋯⋯
金钱怪兽
乔治·克鲁尼,朱莉娅·罗伯茨,杰克·奥康奈尔,多米尼克·韦斯特,凯特瑞娜·巴尔夫,吉安卡罗·埃斯波西托,丹尼斯·布特斯卡里斯,约瑟夫·D·雷特曼,达瑞·因戈尔夫松,克里斯托弗·邓汉,安东尼·德·桑多,莱尼·维尼托知名电视财经专家李·盖茨（乔治·克鲁尼 George Clooney 饰）在电视财经节目《金钱怪兽》中担任主持人而声名大噪，在节目中经常出现疯狂举动，会大声说出投资建议，不时在节目中用搞笑的道具和音效介绍股市。然而，事实上他是透过内线消息让他在华尔街成为赚钱高手。一名不速之客（杰克·奥康奈尔 Jack O'Connell 饰），因为听信投资分析而赔光积蓄，因此在节目直播中绑架了盖茨与节目制作人帕蒂·芬恩（朱莉娅·罗伯茨 Julia Roberts 饰）。同时全国民众也透过电视在看着这场玩命直播，而这场挟持行动也揭发了背后更巨大的金融操弄丑闻。
霍去病：封狼居胥
本片为全流程AIGC打造的史诗古装历史影片，影片聚焦少年战神霍去病传奇一生，从少年从军、勇冠三军，到驰骋漠北、千里奔袭，一路横扫匈奴、破关斩将，演绎封狼居胥、禅于姑衍的千古封神壮举。少年傲气、家国情怀、沙场铁血、君臣知己、大漠豪情交织，再现大汉铁骑的锋芒与华夏少年将军的绝代风骨。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.