无胸罩瑜伽课
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热门影视 大家都在看
死亡阴影
Gilles Barret,Margaux Devy,Sylvain Dubois极限审判
克里斯·帕拉特,丽贝卡·弗格森,卡莉·瑞斯,安娜贝尔·沃利斯,克里斯·沙利文,凯莱·罗杰斯,杰夫·皮埃尔,拉菲·格拉沃恩,肯尼斯·崔,杰米·麦克布莱德,罗斯·格斯拉,马克·达内里,海顿·道尔顿,迈克尔·C·马洪,诺亚·费恩利,库里·普拉特,杰·杰克逊,马哈茂德·马哈茂德,安雅·阿克斯丁,理查德·赛特伦秘密关系:最后的约束
真正的痛苦
杰西·艾森伯格,基南·卡尔金,福田知盛,詹妮弗·格雷,库尔特·埃贾万,丽莎·萨多威,丹尼尔·奥雷斯克斯,埃洛拉·托尔基亚,班纳·艾森伯格,彼得·查赫尼埃基,雅各布·贡索夫斯基,奥尔哈·博索瓦,克日什托夫·雅什查克,马雷克·卡斯普日克,雅各布·普鲁斯基男孩、鼹鼠、狐狸和马
汤姆·霍兰德尔,伊德瑞斯·艾尔巴,加布里埃尔·伯恩,裘德·科沃德·尼科尔匿杀
彭昱畅,张钧甯,黄晓明,王迅,徐娇,邢佳栋,阿如那,王成思,海一天,沈浩,侯咏薰,王圣迪,黄奕,姜皓文,郝平,蔡亘晏,高长远,张磊,衣云鹤同类推荐
暗夜良人
何乙轩,李运佳,周舟,黄娟,杨坤锐,李延,王渊,王正佳,刘锦,李一明,张依珂,季李,田雨,周小鹏,许之糯,吕一丁,张京海,徐福来,常征,孔庆三,边防,杜伯,苏强,王俊潾,高果,孙博,刘建军,梅景洪,李少林,高玉林,张业福,苏佳男,杨瑞承,吴梓铭,田甲右,刘欣刚,岳阳民国年间,张千月(杨坤锐饰)新婚之后进省城投奔同乡王明堂(李运佳饰),不成想晚上房间内发现床下有一个死尸,大批警察带走了旅社老板宋成安(周舟饰)、老板娘翠姐(黄娟饰)、住客顾满仓(王渊饰)、孙兴福(王正佳饰)、梁程思(刘锦饰)、门房老胡(季李饰)及房间内的张千月与王明堂。乡下的新婚妻子白秀英(何乙轩饰)与老父亲张广林赶至省城听审,老父亲接受不了这个严重的打击气绝身亡。这里面有不可告人的秘密。传说冤魂索命,这个事情不简单。一间旅馆、一个女尸、一群平民引发了一个意料之外的故事,展现了民国时期,灰暗的年代,军阀割据,官匪勾结,生活在社会底层的各种普通百姓,挣扎在水深火热之中,各种生活的无奈与社会现实的交织,人为了生存所做的一切挣扎.....一个投亲的少女灵芝(张依珂饰)引发了当地恶霸朱天久(李延饰)皮三(边防饰)残忍杀戮,牵扯无辜百姓,勾结当地警长康大鹏(周小鹏饰)利用贪官(高果饰)歪曲事实,残害无辜百姓,法官(常征饰)(杜伯饰)命悬一线。关联人李婉儿(李一明饰)四散逃命,江湖骗子(孔庆三饰)浑水摸鱼。更牵动大批爱国志士(许诺饰)(张玥饰)刺杀大帅庞金龙(张京海饰)督军孙连胜(吕一丁)为百姓申冤报仇!这一切的来龙去脉都由一名说书人(徐福来饰)娓娓道来。
吉时已到2026
圆子,无恙,南宫承,南宫宇,单贰叁,啵啵,灵川,花花,谢居海,吴国庆无公司,无投资,无AI,一部由爱好者手搓的原创中恐无限流大电影,融合昆曲非遗文化。欢迎玩家进入《牡丹亭·喜宴》副本。
好想大声说我爱你
李先时,伍月,颜丹,博弘,任青安,史恩旗,简佳琳拳击手成祥,在北京和初恋女友娜娜一起创业奋斗,十年后,处于事业落魄低谷中的成祥创业失败又遭初恋背叛,黯然返回家乡后喜欢上同村女孩元丽。在深度相处后,成祥爱的一发不可收拾,表白元丽被拒,失落的成祥一蹶不振。得知元丽因自身困境忍痛拒绝,成祥父母与元丽设订婚谎言激励他。成祥带着家乡的特产重返北京奋斗,即将功成归乡知晓真相后,倾其所有相助元丽,只希望她过的比自己好,元丽破防,再也忍不住内心爱的悸动,大胆的表达了自己对成祥的爱,两人自此走在了一起。两人携手相伴。
钻石般的她
路易莎·拉涅瑞,杰丝敏·特丽卡,斯特凡诺·阿科尔西,卢卡·巴尔巴罗萨,萨拉·博西,洛雷达纳·卡纳塔,杰皮·库奇阿里,安娜·费泽蒂,奥罗拉·乔维纳佐,妮可·吉玛多,米莱娜·曼奇尼,维尼乔·马尔基奥尼,葆拉·米纳乔尼,爱多阿多·普尔加托里,卡尔米内·雷卡诺,艾莱娜·索菲亚·里奇,卢妮塔·萨维诺,凡妮莎·斯卡莱拉,卡拉·西格诺里斯,卡夏·斯穆特尼亚克「人可生如蚁而美如神」:一班裁制亮丽戏服的中年裁缝慨叹自己生如蚁,一名奥斯卡导演拍出她们美如神的生命。导演邀约一众他热爱的演员,重塑一家高级裁缝工作室色彩斑斓、五味集陈的过往,追忆70年代一班坚毅温柔的女裁缝的故事:表面盛势凌人却细腻体贴的老板、善良却抑郁的妹妹拍档、单纯的寡妇和她的小儿子、偏爱小鲜肉的姨姨、被家暴的妻子、昔日美艳的舞者、逃避通缉的少女⋯⋯一群日常女子抛开小我、互相照顾,照亮平凡生活中超越自我的不平凡,展现她们的独立、爱欲、挣扎和力量。意大利金像奖观众人次最高奖意大利银丝带奖年度电影
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.