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剧情提要
“姐姐，就住在我们家吗?”和性感的朋友姐姐一起开始了危险的同居!俊秀是亲熙的姐姐熙真被骗走的事实，并提议同居。从那天开始的两人的危险同居。虽然像亲兄妹一样亲，但绝不能成为亲姐弟的两个成年男女在不断地散发出奇异的气氛，俊秀则沉浸在墙壁的高处，让人无法入睡的夜晚变得越来越多。看了俊秀的某一件事。
暗夜精选
屋中异蛛
艾莉拉·布朗 , 佩内洛普·米契尔 , 瑞安·柯尔 , 希薇娅·克洛卡 , 杰梅因·福勒 , 诺妮·哈泽赫斯 , 罗宾·奈文 , Tony J Black , 阿尔西拉·卡皮奥 , 丹尼·金 , 罗兰·福尔摩斯咒物寻凶
格威利姆·李,卡罗琳·布莱肯,塔格·墨菲,卡罗琳·门通,史蒂夫·沃尔,乔纳森·法兰西二〇二五年的欧陆
埃斯特·通帕,安娜玛丽亚·比鲁斯卡,马里乌斯·达米安,伊林卡·马诺拉切,瓦娜·马尔达雷,谢尔班·帕夫卢,阿德里安·希塔鲁,加布里埃尔·斯帕休,阿多尼斯·坦察放送禁止我的三位妻子
炸掉银行经理
路易斯·托萨尔,戈雅·托莱多,哈维尔·古铁雷斯,埃尔薇拉·明戈斯,费尔南多·卡约,里卡多·德巴雷罗绝种好男人
任贤齐,张柏芝,李珊珊,葛民辉,杜汶泽,黄浩然,王天林,森美,阮小仪,刘恺威,李思捷,李枫,张文慈,黄泆潼,吴慧冰,黄琛如,王晶,张仕铿,李霆锋,何肇晃,黄卡娜,发烂渣,吴成达,杨嘉雯,高宝云,文诗琪,叶景文,董伟强,陆剑青,李正津19 十九
锦织一清,东山纪之,植草克秀,小泽夏木,坂井徹,山本哲平同系列推荐
我的宝贝2
梅拉达·素斯丽,苏提拉克·素维杰拉,查卢彭·提坤朋提拉翁,Tatchaya Supatanyasatit,Fon Tanasoontorn,Krisana Panpeng蛛网男孩
伍迪·诺曼,丽兹·卡潘,安东尼·斯塔尔,克利欧佩特拉·科尔曼,埃伦·杜宾,黛博拉·热切娃,斯蒂芬妮·桑普森,Luke Busey,Jay Rincon,Jesse Vilinsky,Anton Kottas,Aleksandra Dragova,Aleksander Asparuhov,James Robinson,Jivko Mihaylov蛛仙
孙艺宁,李砚,高广泽,潘严,刘锡明女孩2025
邱泽,汤毓绮,白小樱,林品彤,赖雨霏,刘品言,陈竹升,曾珮瑜,梁正群,谢琼煖,黄镫辉,刘冠廷泰国派
普洛伊·索娜琳,Machida Sutthikulphanich,Yorch Yongsin Wongpanitnont,Phintusuda Tunphairao,Yongsin Wongpanitnon,Lita Janvarapa,Jetarin Ratanaserikiat嗜血族
Daut Shaikislamov,Syrym Kashkabayev,Kilishbek Kasimbekov,Asan Mazhit幕后花絮
鬼姐姐
故事讲述一个穷女孩去照顾她失明的富表姐，这个表姐尽管看不见，却可以与鬼魂交流。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.