扳机
以色列導演橫跨韓國與台灣拍攝。神秘熟男回到韓國的家鄉,和年輕帥氣的男服務生相互吸引,當他們坦誠相見,卻發現男子竟然有個不可告人的秘密?隨著他的記憶來到了台灣,原來男子曾有個戀人,他們青春的肉體穿梭在台北的街道、金瓜石公路,愛情也成為「牢籠」的承諾?這對台韓戀人的愛情能走向遠方?
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哀牢山
闵星翰,付妤舒,霍卫民,郑嘉廷,索微,王硕,梁晶晶,赵天戈哀牢山灵异事件轰动一时,来自六名露营的高校学生,前往云南哀牢山原始森林。谁也没有想到一次平常的露营探险任务,竟然成了一次诡异的死亡序曲。他们进入哀牢山地带仅仅过去几天,就全部无人生还。比较离奇的是,当搜救者发现这几位遇难者时,有两位遇难者的死状非常诡异!
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
兴登堡遇难记
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来聊聊须绪美吧
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惩罚者:最后一击
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