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惑星大战争
宫内洋,平田昭彦,冲雅也,森田健作,浅野优子,池部良肮脏的小把戏
迪恩·凯恩,Christie Burson,迈克尔·马德森致命玩笑2001
保罗·沃克,斯蒂夫·扎恩,莉莉·索博斯基,布莱恩·雷科内尔,吉姆·比弗,特里·伦纳德,格温达·迪肯,休·达恩,杰伊·埃尔南德斯,沃尔顿·戈金斯,泰德·拉文,帕特里克·罗伯特·史密斯,Jessica Bowman,Stuart Stone,Basil Wallace,Mary Wickliffe,McKenzie Satterthwaite,Dell Yount,Kenneth White,Luis Cortés,Michael McCleery,Rachel Singer,John Maynard,蒂姆·巅峰猎杀
查理兹·塞隆,塔伦·埃哲顿,艾瑞克·巴纳,马特·惠伦,贝茜·霍兰德,亚伦·佩德森,罗伯·卡尔顿,邓肯·法洛,Julia Ohannessian,Niam Hogan,Willow Seager,扎卡里·加雷德,凯特琳·斯塔西穿普拉达的女王2
梅丽尔·斯特里普,安妮·海瑟薇,艾米莉·布朗特,斯坦利·图齐,贾斯汀·塞洛克斯,西蒙娜·阿什利,肯尼思·布拉纳,刘玉玲,翠茜·索姆斯,凯莱布·希伦,B·J·诺瓦克,蒂波·费德曼,沈雨田,帕特里克·布拉莫尔,蕾切尔·布鲁姆,Lady Gaga,宝琳·查拉梅荷兰人
安德烈·霍兰,凯特·玛拉,斯蒂芬·亨德森,莎姬·贝兹,阿尔迪斯·霍吉,劳伦·E.班克斯,特蕾西·怀尔德,兰尼·普拉特,本杰明·泰思,Shonica Gooden,Lazarus Simmons,Sally Stewart,托尼·托尔恩,凯文·泰勒·罗德里格斯,Hyunmin Rhee,Natasja Naarendorp,迈克尔·劳伦斯,Christopher Batyr,Christopher Cortez Adams,Mounir Quazzani同类推荐
格拉德贝克人质事件
萨沙·亚历山大·吉尔萨克,亚历山大·谢尔,Marie Rosa Tietjen,阿尔布雷希特·舒赫故事发生在1988年的德国，汉斯（萨沙·亚历山大·吉尔萨克 Sascha Alexander Geršak 饰）和迪特（亚历山大·吉尔 Alexander Scheer 饰）抢劫了位于北威州格拉德贝克的德意志银行，并且劫持了两名银行职员作为人质，带着他们一起踏上了逃往的旅途。 很快，负责此案的迈泽警探就展开了对于汉斯一行人的追捕。为了钳制警方，汉斯的女友玛丽昂（Marie Rosa Tietjen 饰）又劫持了一辆载有三十名乘客的公交车，来帮助男友脱离警方的追捕。因为歹徒手中的人质数量众多，导致德国警方迟迟无法下手，引来了舆论和媒体的不满，与此同时，迪特在一次意外中射杀了年仅14岁的少年曼纽埃尔，这场死亡事件将整个故事推上了高潮。
7号房的礼物
柳承龙,朴信惠,郑镇荣,金正泰,吴达洙,朴元尚,郑满植,葛素媛1997年，只有6岁儿童智商的智障男子李龙久（柳成龙 饰）和可爱的女儿艺胜（葛素媛 饰）相依为命，生活虽然简单清贫，却充满幸福。某天，执着为女儿买美少女战士书包的龙久意外卷入一起幼童诱拐奸杀案，而死者竟是警察局长的女儿。龙久懵懂无知，搞不清状况，昏头昏脑就被投入监狱。在7号牢房中，聚集着走私犯蘇杨浩（吴达洙 饰）、诈骗犯崔春浩（朴元尚 饰）、通奸犯姜万范（金正泰 饰）、恐吓犯老徐（金基灿 饰）和抢劫犯申奉植（郑万植 饰）等五毒俱全的“社会渣滓”。龙久孩子般纯洁的心渐渐感动了这几个“大坏蛋”，他们甚至不惜冒险将艺胜带入牢房与父亲相会。黑暗冰冷的监牢内，7号牢房阳光满满……
平安夜，杀人夜
罗汉·坎贝尔,露比·莫迪恩,马克·艾奇逊,沙龙·巴杰,大卫·劳伦斯·布朗,埃里克·阿塔瓦尔,托米·雷梅尔,大卫·汤姆林森,伊莎·薇洛特,Rick Skene,Tom Young,马德琳·考克斯,Yan Joseph,Richard Patrick Tolton II,Lam An,Jasmine Wallace,弗雷德里克·艾伦,Logan Sawyer,Julien Neault-Lount,安德烈娅·格里宁Cineverse制作新版《平安夜，杀人夜》，计划于2025年底上院线。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
加美拉对大恶兽吉隆
加島信博,秋山みゆき,大村昆,笠原玲子,滨田优子,船越英二冒険好きな二人の少年が、宇宙船に閉じ込められ第十惑星に連れ去られ、宇宙人に食べられそうになる。そこにガメラが現れて二人を救う。宇宙人はギロンをけしかけるが、ガメラの敵ではなかった。第3作に登場したギャオスが再登場するが、ギロンにあっさりやられてしまう。