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萌系小綿羊larafan雙囍蜜桃搖搖性感度破表
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艾丽莎·杜什库,加利·艾尔维斯,汤姆·马洛伊,蒂莫西·赫顿,迈克尔·艾恩塞德杀出银河系
Edward Albert今夜，就算这份爱恋从世界上消失2025
秋泳愚,申诗雅我聘请了职业杀手
让-皮埃尔·利奥德,Margi Clarke,肯尼斯·考利,T.R. Bowen,伊莫金·克莱尔水之年代
伊莫琴·普茨,索拉·伯奇,詹姆斯·贝鲁什,汤姆·斯图里奇,查理·卡里克,杰瑞米·安·琼斯,厄尔·凯夫,苏珊娜·弗拉德,米迦勒·埃普,金·戈顿,亚历山大·约翰逊,埃斯梅·艾伦,安娜·维托夫斯基,安东·利特维诺夫,阿丽娜·利特维诺娃,多米尼克·加布里埃尔·罗塞蒂,哈尔·韦弗,埃莉诺·哈恩,彼得·伦德尔,玛丽娜·斯尼加三滴血2025
胡歌,文淇,高子淇,闫妮,宋佳,高叶,欧豪,李雪琴,杨新鸣,艾丽娅,马迎春,张奕聪,王悦伊,张本煜,汪铎,刘千慈人气佳作
河童之子
本·麦肯锡,博亚娜·诺瓦科维奇,索耶·琼斯,马尔科姆·富勒,小杉健,Ethan Herschenfeld,阿莎·埃奇森,大卫·吉布森,Rebecca Nelson,詹姆斯·亚当·林,横田実优,大卫·莱文,Larry Bull,Jeff Applegate,秋野松明,扎克·新里超时空辉夜姬！
夏吉优子,永濑安奈,早见沙织,入野自由,内田雄马,松冈祯丞,青山吉能,小原好美,菲鲁兹·蓝,花江夏树,钉宫理惠地狱无泪
卢克·拜恩斯,格温·范·丹,塔蒂安娜·马尔贾诺维奇,奥德莉·尼尔,加里·卡斯帕,艾瑞克·费洛斯,温·赖克特皇家次子女秘密组织
格雷格·布瑞克,艾洛蒂·袁,斯盖拉·阿斯丁,佩顿·伊丽莎白·李,奈尔斯·菲奇,阿什利·廖,伊莎贝拉·布莱克·托马斯,诺亚·罗麦克斯,贾斯达达,Derry Robinson,Olivia Deeble,Kenny Wong,Seth Mohan,Jadiel Dowlin,Xavier Schoppel导演精选
河狸变身计划
少女梅宝（佩珀·柯达 Piper Curda 配音）偶然借助突破性技术，让自身意识“跳脱”身体，进入机械动物体内，“变身”为一只活泼灵动的河狸，从而得以潜入动物社群内部，更以“人类思维闯入动物本能”的独特视角，揭开一场充满意外与温情的野外探险。
我的秘密圣诞老人
一位单身母亲需要工作，一个滑雪度假村需要圣诞老人。泰勒假扮成圣诞老人，她能否骗过迷人的酒店继承人，拿到这份工作？
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.