剧情纵览
早智子和吉田是新婚佳偶,他們搬入一棟新修建及擁有白色房間的公寓居住。他們本應好好享受他們的新婚生活,但早智子卻拒絕吉田的性要求。一天,吉田的同事加藤,給他看一盒錄影帶,它的標題是“白色房間:晚上教室檢查”,片中女孩在過程中會不時拿著她的母親的相片,但更令人驚奇的還是片中的屋子正是他們居住的公寓!而吉田偷偷地收起了那盒錄影帶,但卻被早智子發現了…
早智子和吉田是新婚佳偶,他們搬入一棟新修建及擁有白色房間的公寓居住。他們本應好好享受他們的新婚生活,但早智子卻拒絕吉田的性要求。一天,吉田的同事加藤,給他看一盒錄影帶,它的標題是“白色房間:晚上教室檢查”,片中女孩在過程中會不時拿著她的母親的相片,但更令人驚奇的還是片中的屋子正是他們居住的公寓!而吉田偷偷地收起了那盒錄影帶,但卻被早智子發現了…
自父亲去世以来,19岁的阿丽莎成了她患有抑郁症的母亲和年幼妹妹的照顾者。她只想逃离自己的责任以及身边的痛苦。她最好的朋友梅赫迪(23岁)性格内向,患有白癜风。尽管他有文凭,却仍然失业,这让他觉得自己对不起家人。两人都用幽默和想象力来逃避艰苦的生活。梅赫迪讲述并绘制超现实主义的故事,而阿丽莎则尽可能地重新塑造自己的现实。当他们得知全国范围内举办的一场绘画比赛可能会改变他们的生活时,他们偷了一辆车,开始了一场疯狂的公路旅行。他们的友谊经受了考验,他们发现了突尼斯最好的一面和最坏的一面。他们的希望破灭了,但他们的旅程改变了他们。三个月后,梅赫迪非法移民离开了,因为阿丽莎无法抛下她的家人。
小洲总是背着父亲薛大队长在学校调皮捣蛋,这次跟死党小马与胖雄又闯祸了,训导主任牛头于是一状告到薛大队长那里。父亲将小洲痛责,更在他书包里搜出小马的香烟,为此又将小洲严惩。小洲含冤受屈后愤而出走,心中更暗盼父亲可以从这个家消失;没想到当晚从对岸发射的两颗导弹竟令小洲如愿,薛大队长必须离家往前线去。父亲不在家,小洲与小马、胖雄的行动更肆无忌惮,却因此而惹上学校的小霸王大毛。小洲为对抗大毛,求助于国宅帮的少年头头A 司;A 司答应帮忙,却要三人付保护费。 三人夹在大毛与 A 司之间,饱受两方威胁。这时台湾面临战争边缘,股票大跌,总统直选在即,民间吹起移民潮。1996 年的南方时光,纷扰躁动,回想起来令人惘然。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
在社交网络上伪装女性,用话术诱骗无亲无故的男性套取个人信息,从事户籍买卖的拓也(北村匠海 饰)和守(林裕太 饰),自幼在恶劣环境中长大,不知不觉已成为黑道组织的爪牙。 尽管涉足灰色产业,这两个时常插科打诨的年轻人,本质上只是普通的都市青年,彼此相依为命。当拓也在黑道引路人、犹如兄长般存在的梶谷(绫野刚 饰)的协助下,决心与守一同逃离这个黑暗世界时,等待他们的却是......