风月宝鉴之初入桃源洞
未央生和赛昆仑流落江湖，以y-技胡混为生。未央生在市镇无聊地游逛，下体却无故隆起狼狈不堪，赛昆仑施展恫吓手段，令未央生巨根投降，不久未央生又再无故擎起，苦恼不矣，唯有走访神医，但神医巳落入黑风寨手里。两人男扮女装，混作女俘，送入寨中。结果被寨主夫人及姬妾识破，将两人榨干，寨主夫人并透露给寨主知，未央生之巨根实在神奇，要寨主换了;他未央生被绑至神医前动手术，千钧一发之际，赛昆仑打翻房中;迟钝剂三人趁机逃脱，返回神医住处，神医应未央生要求，为他换回原来自己的子孙根，不料神医助手说未央生的子孙根巳被他人慕名而至，高价换去，那人身下有红痣。未央生晴天霹雳，决意天涯海再也要寻回自己的;根
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剧情简介
未央生和赛昆仑流落江湖，以y-技胡混为生。未央生在市镇无聊地游逛，下体却无故隆起狼狈不堪，赛昆仑施展恫吓手段，令未央生巨根投降，不久未央生又再无故擎起，苦恼不矣，唯有走访神医，但神医巳落入黑风寨手里。两人男扮女装，混作女俘，送入寨中。结果被寨主夫人及姬妾识破，将两人榨干，寨主夫人并透露给寨主知，未央生之巨根实在神奇，要寨主换了;他未央生被绑至神医前动手术，千钧一发之际，赛昆仑打翻房中;迟钝剂三人趁机逃脱，返回神医住处，神医应未央生要求，为他换回原来自己的子孙根，不料神医助手说未央生的子孙根巳被他人慕名而至，高价换去，那人身下有红痣。未央生晴天霹雳，决意天涯海再也要寻回自己的;根
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等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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大二在读的安小河，因高利贷等事遭到“追杀”，30岁画家康梅梅因接到“病危”通知，两人先后“逃”回到恒河边的家乡，与在村里梦想有一天能在河里找到传说中金碗的农民康大恒在争吵和交往中，安小河对康梅梅产生了不一样的情愫，父女多年的隔阂也冰释前嫌。