斋艳谭之聊斋连锁

★ 7.2 播放:17万 更新:2026-05-28
主演: 严俊/

大导演严俊又一警世之作,根据蒲松龄《聊斋志异》同名故事改编,描述明末期间,才女连琐(李菁)因救父而误杀奸徒,复投井自尽。十多年后,才子杨于畏(李丽华)因逃避奸臣追捕,投奔父执世交唐尚书(井淼);怎料唐尚书趋炎附势,拒不收留,幸得老仆李贵(顾文宗)忠义,引于畏于一荒废书馆躲藏。于畏夜间无意与连琐相会,夕夕相对,发生一段人鬼之恋。唐尚书义女连闱(李菁分饰)与连琐原属同胞姊妹,跟于畏早有婚约。连闱妒恨亡姊迷惑于畏,指挥仆役火焚书馆,不料失足而死;连琐得借妹屍还魂,与于畏终成眷属。此片由天皇巨星李丽华反串男主角,而「亚洲影后」李菁分饰连琐及连闱两姊妹,一正一邪,一人一鬼,表现出众艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

在线播放

剧情简介

大导演严俊又一警世之作,根据蒲松龄《聊斋志异》同名故事改编,描述明末期间,才女连琐(李菁)因救父而误杀奸徒,复投井自尽。十多年后,才子杨于畏(李丽华)因逃避奸臣追捕,投奔父执世交唐尚书(井淼);怎料唐尚书趋炎附势,拒不收留,幸得老仆李贵(顾文宗)忠义,引于畏于一荒废书馆躲藏。于畏夜间无意与连琐相会,夕夕相对,发生一段人鬼之恋。唐尚书义女连闱(李菁分饰)与连琐原属同胞姊妹,跟于畏早有婚约。连闱妒恨亡姊迷惑于畏,指挥仆役火焚书馆,不料失足而死;连琐得借妹屍还魂,与于畏终成眷属。此片由天皇巨星李丽华反串男主角,而「亚洲影后」李菁分饰连琐及连闱两姊妹,一正一邪,一人一鬼,表现出众艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

人气佳作

导演精选

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

犹大与黑弥赛亚

 影片改编自真人真事。讲述了1960年代美国黑人社团黑豹党历史上的真实事件,故事聚焦于Hampton之死,他于1969年被杀,死于芝加哥警察局和FBI组织的一次突袭行动。警方开了80枪,而“黑豹党”成员一共只开了一枪,这一枪还是来自于一位成员被警方打死后的肌肉收缩。Hampton与怀孕的未婚妻正在睡觉时,头部被近距离射杀2枪,他当晚被下了药,根本没听见任何警方的动静,死后尸体被拖进小巷中,年仅21岁。经过审讯,他的死被判定为“正当杀人”,后来在1982年,以185万美元的赔偿数额,达到了民事诉讼的庭外和解。

主谋

  在天眼尚未密布,监场保安仍会打瞌睡的二十世纪七十年代,名画大盗就是会光天化日,大剌剌走进美术馆,直接把猎物从墙上取下放入布袋运走。看似儿戏的一切,背后主谋还要是住在市郊、人畜无害的住家男人。凯莉·莱卡特完全弃用好莱坞盗宝片叙事公式,改以其擅长的左翼简约主义镜头,捕捉触犯艺术罪行者的日常生活、双面人的言行处境,以及事件周遭人情冷暖。阿瑟多夫的抽象画作未必是一个借口,但到头来凸显存在荒谬的公路逃亡,俨然为观众添加了不少欣赏和思考的层次。