堕落
故事发生在1956年的意大利，安娜（弗洛伦丝·格林 Florence Guérin 饰）和丈夫贾科莫（西律斯·埃利亚斯 Cyrus Elias 饰）结婚多年，身为律师的贾科莫将大部分的精力都放在了工作上，这让安娜感到非常的寂艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。安娜十分想要一个孩子，可惜结婚这么多年了，她的肚子一直都没有动静。与此同时，安娜还肩负着照顾病重的母亲的责任，这些事情让她感到生活非常的压抑。
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向井理,上白石萌歌,藤冈靛,森山未来,神尾枫珠,诗羽,菅原小春,八木莉可子,宫世琉弥,森崎温,石野理子,石崎Huwie,和田理生,本间朋晃,真壁刀義,长冈亮介,蔷薇园啊呜,菊地凛子,和田聪宏骗徒与致命婚宴
巴斯蒂安·帕斯特科瓦 ,Tamara Romera Ginés,Anton Dreger,芭芭拉·菲利普,埃尔詹·杜马斯,米拉·帕尔泰克,伯恩哈德·舒茨,妮可尔博伊特勒,Taneshia Abt,利娜多瑞,Knud Riepen,Marta Kizyma,Daniel Rodic,Till Raskopf,Rabea Lüthi,Georg Paluza,Sara Bartknecht,Maxim Bartknecht,马格努斯·克雷佩惊奇队长
布丽·拉尔森,裘德·洛,塞缪尔·杰克逊,本·门德尔森,安妮特·贝宁,麦肯娜·格瑞丝,克拉克·格雷格,嘉玛·陈,李·佩斯,杰曼·翰苏,拉什纳·林奇,阿基拉·阿克巴,科林·福特,卓库·莫度,肯内特·米歇尔,罗伯特·卡辛斯基,詹姆斯·莫里森,皮特·普劳泽克,马修·马希尔,安东尼·莫利纳利,马修·弗林·贝罗斯,加斯顿·达尔莫,亚当·哈特,马克·多尔蒂,雷尼尔·鲁菲诺,约翰·盖蒂尔,斯坦·李,克里斯·埃文斯,斯嘉丽·约翰逊,马克·鲁弗洛,唐·钱德尔逆时追凶
麦迪逊·贝利,迈克尔·山克斯,格里芬·格鲁克,安东尼娅·金特里,莎莫·H·豪威尔,瑞秋·克劳福德,梅根·贝斯特,亚当·哈蒂格,塞缪尔·布劳恩,辛妮·比斯顿,Kataem O'Connor,格温多琳·柯林斯,乔丹·佩特尔,Dutchess Cayetano,Chess Tomlinson,Bj·韦罗,Elena Howard-Scott,泰瑞·威瑟斯庞,科琳·弗兰,Samantha Hutchings凯多湖的消失
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克里斯托弗系列
伊恩·麦克莱恩,米凯拉·科尔,杰西卡·古宁,詹姆斯·柯登,Dmitri Prokopiev,Tilly Botsford,丹尼尔·弗恩,Lucy McCormick,Le Fil,达拉斯·坎贝尔,Ferdy Roberts,斯图尔特·库克一个著名老艺术家那关系疏远的亲戚向一个苦苦挣扎的年轻艺术家寻求帮助，要去窃取老者未做完的作品并将其完成。
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方中信,吕良伟,安志杰,张继聪,陈家乐,钱嘉乐,陈国邦,张文杰,马思惠,沈震轩香港核心商业地带油尖旺地区近日突发连环抢劫大案，区域内多家珠宝店遭遇悍匪团伙的洗劫！奉命执行任务的冲锋队Car 3在组长郑志斌（方中信 饰）的带领下一路追击，但查探到的线索却令郑志斌心头一紧。原来，悍匪头目阮卓龙（张继聪 饰）、阮卓武（安志杰 饰）是多年前另一桩持枪抢劫案的在逃要犯。如今两兄弟卷土重来，犯案同时还不断向警方挑衅，令整个警队焦灼且困惑。此外，阮氏兄弟的步步紧逼亦令Car 3队员张家和（陈家乐 饰）难以自制，郑志斌看在眼里却也有心无力…..宿命般的四人在不断交锋中，揭开了背后尘封已久的秘密……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
119紧急呼叫2026 横滨大停电
清野菜名,濑户康史,见上爱,一之濑飒,前原滉,中村友理,佐藤浩市,酒井大成,三浦獠太,堀内敬子,远山俊也,长野博,莉子,柏原收史,丸山礼年末的横滨消防通信指令中心异常繁忙，事故、疾病、火灾与各种纠纷不断。此时，是否引入“AI指令员”取代人工的议题引发内部对立。除夕夜突发大规模停电，全市混乱、报警激增，指令员们在极限状态中持续接警与指挥救援。作品描绘他们直面困难时坚持工作的理由，以及“拯救他人”这一行为的真正意义。城市陷入黑暗，他们必须用仅存的“声音”守护生命。