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七年很痒
刘青云,应采儿,刘嘉玲,安志杰,蒋怡Golf Club经理潘致文(刘青云饰)与老婆张美瑛(蒋怡饰)结婚将近七年，生活平淡、枯燥，虽然他渴望着过过“放荡的新生活”，但是天性胆小，只敢说不敢做，基本上是一个善良的小男人。 这一次美瑛要去外地旅行，潘致文觉得这是个大好机会，于是决定趁这个“婚姻大假”找寻一些刺激。抚慰自己强压六年多的欲海。 夜晚在PUB中，致文就邂逅了冶艳少女赵静(应采儿饰)，令到他心痒难忍。正当致文准备向阿静展开攻势的时候，却在相处中了解到她原来身世相当凄惨，放荡的行为只是因为孤寂的逆反，致文怜悯之心大增，无奈中不得不放弃了占有的欲念。 而与此同时，致文又遇上了自己的初恋情人张采冰(刘嘉玲饰)，已经成为事业女性的阿冰目前生活无忧，身边男伴无数，并且和一个健身教练WIL(安志杰饰)关系暧昧。但是外表热情似火的她对于致文依旧念念不忘，致文立刻与冰重燃了爱火，但同时也觉得对妻子心存愧疚。然而此时此刻家庭的危机也渐渐发生了出人意料的变化……
我爸救了圣诞节2
圣地亚哥·塞古拉,埃内斯托·塞维利亚,Pablo Chiapella一家玩具公司的狡猾主管绑架了圣诞老人，这对父子必须挺身而出，营救圣诞老人，拯救圣诞节。
消失的人
郑恺,刘浩存,邱泽,李晨,姜妍,黄小蕾,李梦,张琪,毕雯珺,冯兵,滕哲,冯雪雅,汤心一一个寻常的清晨，唐宇（郑恺 饰）的儿子在楼梯间凭空消失；隔壁单元里，独居女孩林雨彤（刘浩存 饰）在熟睡中被人侵犯；赌鬼租客严午（邱泽 饰）满身血污，谎编踪迹藏匿尸体。这栋看似平静、不起眼的居民楼里，每个擦肩而过的“熟人”，都有可能是藏着獠牙的恶鬼。当人心比鬼更可怕时，你每天出入的家门，都可能是通往地狱的入口……本片改编自豆瓣阅读连载小说《海葵》，作者贝客邦。
罪恶新月城
亚历克·鲍德温,泰伦斯·霍华德,埃塞·莫拉雷斯,妮基·韦兰,迈克尔·希罗,温斯顿·凯奇,安居尔·尼加姆,Maria Camila Giraldo,瑞玛·桑帕特,Danielle DruzA small town in the south is ravaged by a serial killer, with everyone being a suspect including the police.
六百英里
蒂姆·罗斯,哈里森·托马斯,莫妮卡·德尔·卡门,格瑞格·鲁兹,哈里斯·肯德尔,诺伊·埃尔南德斯亚利桑那州的枪枝商店内，白人男孩负责买枪，再交由开卡车的墨西哥少年穿越美墨边境，运到贩毒大本营西纳洛亚。毒枭媲美军队的强大火力，拜美国松散的枪械管制之赐。少年工作如常，浑然不觉已被资深探员汉克盯上，但正当汉克准备逮捕他们时，却反遭撂倒沦为人质。不知所措的墨西哥少年，竟决定带他回墨西哥。分属对立阵营的两人，就此命运紧紧相连，开向未知。 导演加布里埃尔·利普斯坦获第65届柏林电影节最佳处女作奖。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.