播放通道
详细简介
热门影视 大家都在看
我是桐岛
每熊克哉,北香那,奥野瑛太,高桥惠子,原田喧太,影山祐子,山中聪,郑龙进,岭豪一,和田庵,伊藤佳範,宇乃徹,长村航希,海空,安藤瞳,咲耶,赵珉和,松本勝,秋庭賢二,佐藤寿保,ダーティ工藤,白川和子,下元史朗,甲本雅裕奇迹梦之队
凯莱布·麦克劳克林,加布里埃尔·尤尼恩,斯蒂芬·库里,妮可拉·考夫兰,尼克·克罗尔,大卫·哈伯,詹妮弗·路易斯,帕顿·奥斯瓦尔特,Jelly Roll,亚伦·皮埃尔,鲍比·李,安德鲁·桑提诺,雪莉·可拉,爱德华多·弗兰科,詹妮弗·哈德森,阿伊莎·库里伪钞重案
吴樾,谭凯,包贝尔,修睿,王李丹鈮,梁颂晴,雷牧,好奇,沐岚,王蕴凡,郭桐溪急转直下
凯特·贝金赛尔,斯科特·伊斯特伍德,马特·克拉文,安娜·戈尔佳,塔利亚·亚瑟拉夫,阿文·卡纳尼安,亚历杭德拉·霍华德,罗伯特·法里奥尔,乔丹·杜维尼奥,马达莱娜·瓦莱基·威廉姆斯,帕滕·休斯,马西莫·麦奎因疯狂海盗团2
凯瑞·豪根·西德尼斯,Sienna Rosie Schei,David Leander Helgor,Lisa Stokke,哈瓦德·巴克,尼尔斯·约恩·卡尔斯塔德,杰普·贝克·劳尔森,Jan Martin Johnsen,Fridtjof Stensæth Josefsen,Terje Formoe,Charlotte Frogner,雅各布·奥福特布罗密室逃生2
泰勒·拉塞尔,洛根·米勒,霍兰·罗登,茵蒂娅·摩尔,托马斯·康奎尔,伊莎贝拉·弗尔曼,詹姆斯·弗莱恩,卡利托·奥利维罗,杰米-李·蒙尼,坦娅·范·格拉恩,阿维亚娜·亚伯拉罕同类推荐
马尔切洛·埃尔南德斯：美国男孩
马尔切洛·埃尔南德斯Marcello Hernandez: American Boy. Only on Netflix January 7.
蓝色男孩事件
Kô Maehara,Nakagawa Miyu,锦户亮本作的故事背景设定在日本经济高速增长期 —— 彼时东京奥运会、大阪世博会接连举办，社会处处洋溢着繁荣的气息。在社会迈向国际化、卖淫管控力度不断加强的背景下，为清除接受过性别重置手术、通称 “蓝男孩”的群体，检方决定逮捕为他们实施手术的医生赤城昌雄。 与此同时，在东京一家咖啡馆担任女服务员的沙纪，刚收到恋人的求婚，正沉浸在幸福之中。直到某天，负责在法庭上为赤城辩护的律师狩野卓找到了沙纪，请求她以 “接受过性别重置手术者” 的身份出庭作证。
临租家庭
布兰登·费舍,平岳大,山本真理,香农·戈尔曼,柄本明,尼希,古川雁,金隆夫,小松裕司,长田凉子,保罗·安德里亚·迪·皮耶特罗,木村文哉,龟田梨纱,加奈·凯蒂,尾关伸嗣,筱崎志乃,楚南勇真本片讲述了一位在东京落魄的美国演员的故事。他受雇于一家日本家庭租赁公司，充当门面上的“美籍演员”，由此通过扮演他人生活中的各种角色，踏上了一段意想不到的自我发现之旅。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
安妮·霍尔
伍迪·艾伦,黛安·基顿,托尼·罗伯茨,卡罗尔·凯恩,保罗·西蒙,谢莉·杜瓦尔,珍妮特·玛戈林,科琳·杜赫斯特,克里斯托弗·沃肯,唐纳德·赛明顿,琼纽曼,马丁罗森布拉特,亨泽尔,拉舍尔·诺维科芙,拉塞尔·霍顿,马歇尔·麦克卢汉,玛丽·博伊兰,约翰·多马尼安,波波·马罗夫,Rick Petrucelli,克里斯·甘佩尔,迪克·卡维特,马克·雷纳德,约翰·格洛弗,约翰·丹尼斯·约翰斯顿,劳丽·伯德,杰夫·高布伦,查尔斯·莱文,Johnny Haymer,迈克尔·阿罗宁,Ved Bandhu,Jim McKrel喜剧演员艾维·辛格（伍迪·艾伦 Woody Allen 饰）是这样一个人：非常介意自己的犹太人的出身；自认为有童年阴影，看了十六年心理医生没见好转却一直付钱看；有点阿Q精神，但对人生却充满消极；喜欢一直讲无聊的笑话。正因为自身的神经质特质，艾维经历了两次失败的婚姻。艾维 遇到了安妮（黛安·基顿 Diane Keaton 饰）――一直梦想成为歌星的女孩，两人渐渐堕入爱河。安妮在艾维的帮助下歌唱技巧迅速提高，但她的父母却反对她与艾维来往。安妮得到了唱片商托尼的注意，获邀前往好莱坞灌录唱片，艾维跟着前往了好莱坞向安妮求婚。