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李靖,刘妤姻子,刘蕊,姜英俊疯狂喜剧人
王一,童苡萱,盖雨嘉53个周日
亚历山德拉·希门内斯,卡门·马奇,哈维尔·古铁雷斯,哈维尔·卡马拉宇宙护卫队：百变流星
李靖,刘妤姻子,刘蕊,姜英俊精灵宝可梦：去往超克的时空
松本梨香,大谷育江,上田祐司,丰口惠美,小樱悦子,林原惠美,三木真一郎,犬山犬子,西村千奈美,雪野五月,小西克幸,阪口大助,伊东美弥子,古岛清孝,藤本让,岸祐二,熊井统子,真堂圭,三宅健太,逢坂力,中西英树,川上贵史,传坂勉,寺谷美香,米泽圆,石冢运升,秋山龙次,马场裕之,山本博,高岛政宏,中川翔子,山寺宏一,北乃绮,美轮明宏恶人的道路
维尼·琼斯,克里斯蒂安·史莱特,Emily Tennant同类精选
给阿嬷的情书
李思潼,王彦桐,吴少卿,郑润奇,王晓慧,赵曙光,李德如,李树浩,乌萨·萨梅坎姆,方培松马拉加街夕阳红
卡门·毛拉,玛尔塔·埃图拉,艾哈迈德·布拉内,玛利亚·阿尔方萨·罗索,米格尔·加尔塞斯,拉·伊门鬼租客
纳查潘·帕拉玛查伦罗,Aew Aumpa Phusit,波似·坡尼皮帕特·库尼嗦,坦恩.基缇男.坎蒙功空理法密昕,马克·纳克塔赫·坎那特桑安,Boom Raweephan Siriwattana不离不弃2026
张芷溪,初俊辰,沈晓海,黄俊鹏,杨青倩航越地平线
妮可·基德曼,山姆·尼尔,比利·赞恩丧尸特警
特里特·威廉斯,乔·皮斯科波,琳赛·福斯特,达伦·麦克加文,文森特·普莱斯,克莱尔·科克奈尔,陆锡麒,罗伯特·皮卡多,梅尔·斯图尔特,田中徹,Martha Quinn,Ben Mittleman,Peter Kent,Cate Caplin,莫妮卡·里维斯影视排行
丧尸出笼：血脉
Sophie Skelton,乔纳森·斯卡奇,Jeff Gum,Marcus Vanco,马克·史密斯,Lorina Kamburova,莎莉·沃特森,Rachel O'Meara,克里斯蒂娜·塞拉菲尼,Lillian Blankenship,Debbie Sherman,Luke Cousins,Nathan Cooper,阿塔纳斯·斯雷布雷夫,Ulyana Chan因流感感染的死者突然复活，变成丧尸开始疯狂撕咬活人，被咬后的活人纷纷变成丧尸，一场末日丧尸之战自此开始...
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
盗影迷局
周扬为了挣更多的钱护理瘫痪母亲，陈建业误信石道宽卷入一场盗窃案。正犹豫自首之时，陈建业反被石道宽的恩情所困而越陷越深。最终石道宽露出贪婪的本质。面对亲情和法律，陈建业终于有了抉择—投案自首，完成自我救赎。
水之年代
伊莫琴·普茨,索拉·伯奇,詹姆斯·贝鲁什,汤姆·斯图里奇,查理·卡里克,杰瑞米·安·琼斯,厄尔·凯夫,苏珊娜·弗拉德,米迦勒·埃普,金·戈顿,亚历山大·约翰逊,埃斯梅·艾伦,安娜·维托夫斯基,安东·利特维诺夫,阿丽娜·利特维诺娃,多米尼克·加布里埃尔·罗塞蒂,哈尔·韦弗,埃莉诺·哈恩,彼得·伦德尔,玛丽娜·斯尼加莉迪娅从小在父亲的暴力阴影下长大，游泳是她唯一的逃避方式。她凭借奖学金进入大学，却在成年后陷入毒瘾、混乱的性关系和失去孩子的痛苦中。她的人生如同水流，时而湍急、时而沉寂，无法掌控方向。在最深的低谷中，莉迪娅开始写作。文字成为她的呼吸，也成为她重新定义自己的方式。她不再只是受害者，而是讲述者，是创造者。通过回望过去，她一点点拼凑出破碎的自我，也在写作中找到了勇气。 影片改编自莉迪亚·尤克纳维奇所著回忆录。