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魂游1871
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Artika Sari Devi,奥罗拉·里贝罗,阿里·菲克里,Fara Shakila,Husein Al Athas,Dian Sidik,Sita Nursanti RSD,Khiva Rayanka万圣节传说
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Ehan Bhat,Edilsy Vargas,Tenzing Dalha,丽莎·蕾,玛尼沙·柯伊拉拉,Warina Hussain,Diwakar Pundir,Ranjit Barot,Rahul Ram,Ashwath Bhatt,Neel Tyagi,Chaitnya Sharma,Kurush Deboo,Burjor Patel,Kalyan Baruah99 Songs is a musician’s quest to understand his purpose and passion. It is a journey of heartbreak and redemption, of loss and faith; an ode to the timeless power of love and music. 99 Songs is co-written by A.R Rahman. He also composed the original score and songs.
误杀2019
肖央,谭卓,陈冲,姜皓文,秦沛,边天扬,许文姗,张熙然,施名帅,黄健玮,陈志朋,叶浏,谷洋,张林李维杰（肖央 饰）与妻子阿玉（谭卓 饰）来泰打拼17年，膝下育有两个女儿，年届四十的他靠开设网络公司为生，为人也颇得小镇居民的好感，而这一切美好却被突如其来的不速之客打破。这个充斥走私，贩毒活动的边陲小镇，各种权力交织碾压公平正义。李维杰的大女儿平平（许文珊 饰）被督察长拉韫（陈冲 饰）的儿子素察（边天扬 饰）迷奸，因反抗误杀对方。李维杰曾亲眼目睹督察长滥用私刑，深知法律无用，为了维护女儿，捍卫家人，李维杰埋尸掩盖一切证据，在时间与空间的交错缝隙中，与警方在身心层面，展开了殊死一搏的较量。
绝录求生
吴超,孙骁潇,吴楚,冯波,王思思,安琥,国庆,刘波现场网的马楠（孙骁潇 饰）和小鱼（吴楚 饰）是一对相恋多年的情侣，马楠不久在郊外购得一处房产，刚好又赶上小鱼的生日。于是他叫来同事兼好友张博（吴超 饰）、吴晓（冯波 饰）、龙梅（王思思 饰），为小鱼策划了一次生日派对，并计划向小鱼求婚。除了曾与小鱼有过露水因缘张博外，整晚的派对都在欢快的气氛下进行。马楠家隔壁住着一对经常吵架的夫妻，异常聒噪的吵闹声引起吴晓等八卦女的好奇，她们结伴来到隔壁一探究竟，却意外发现恐怖血腥的杀人现场。 原本就住户稀少的公寓，此时仿佛变成一座巨大的鬼屋。不断闪烁的灯光，凄厉刺耳的尖叫声以及丧心病狂的杀人者。一种如瘟疫般的病毒在公寓内肆意蔓延……
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.