妥善保管

⭐ 5.3 播放:14万 2026-05-26
主演: 亨利·夏尔/

别名:锁和钥匙 美国女子监狱系列影片;这里大部分的演员都是女艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。因为他们似乎得到赤裸裸的在最轻微的挑衅这个人是特别好:;请脱掉衣服有时会意外地,有时当监狱医生说,谢谢。不幸的是,他们几个打出来的监狱,事情变得闷一会儿,因为他们战斗对抗邪恶的毒品交易商卡洛斯。然后,我们发现,他还;是一个侧面的时装设计师他们在胸围上他的时装秀,完全与跑道模型,并横行

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剧情提要

别名:锁和钥匙 美国女子监狱系列影片;这里大部分的演员都是女艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。因为他们似乎得到赤裸裸的在最轻微的挑衅这个人是特别好:;请脱掉衣服有时会意外地,有时当监狱医生说,谢谢。不幸的是,他们几个打出来的监狱,事情变得闷一会儿,因为他们战斗对抗邪恶的毒品交易商卡洛斯。然后,我们发现,他还;是一个侧面的时装设计师他们在胸围上他的时装秀,完全与跑道模型,并横行

暗夜精选

崛起

Caroline McQuade,Kenneth Trujillo,Wassim Hawat,Buffy Anne Littaua,Nicole Sharrock,Melissa Brattoni,Anthony Moisset,Marcus Johnson,杰克·坎贝尔,Melissa Davidson,Natalie Rose,Alex Gallant,Lily Brown Griffiths,Olga Olshansky,Mansoor Noor

离奇剧院

乌多·基尔,维吉尼亚·纽科姆,卡特里娜 马科尔,艾米莉娅·戈萨姆,维多利亚·莫蕾特,丽莎·贝尔,安德烈·赫尼克,苏珊·安贝赫,哈维·弗里德曼,戴比·露珍,汤姆·萨维尼,卡内赫迪奥·霍恩,琳恩·劳里,杰西卡·瑞默斯,艾丽莎·道林,杰夫·迪伦·格雷厄姆,达蒙·帕卡德,惠特尼·穆尔,Alex Ivanovici,Amanda Marquardt,Rachelle Glait,Erin Marie Hogan,Jeremy Gladen,Lindsay Goranson,James Gill

死亡修女

阿瑞亚·贝得玛,阿尔穆德纳·阿莫尔,Maru Valdivielso,Luisa Merelas,Chelo Vivares,Pablo Guisa Koestinger,康斯薇洛·特鲁希略,Daniela Casas,Olimpia Roch,Sara Roch,Marina Delgado,Claudia Fernández Arroyo,Adriana Camarena

静水城

马特·达蒙,卡米尔·科坦,阿比盖尔·布雷斯林,利鲁·肖沃,狄安娜·杜纳甘,伊迪尔·阿祖格利,安娜·勒尼,茂萨·马斯克里,伊莎贝尔·塔纳克,奈德拉·阿亚迪,吉尔伯特·特拉尼亚,威廉·纳迪兰,沙扎德·拉蒂夫,米歇尔‧邦波,莎拉·布鲁克斯,埃里克·斯达克,罗伯特·皮特斯

怪猴

西奥·詹姆斯,塔提阿娜·玛斯拉尼,伊利亚·伍德,劳拉·门内尔,克里斯蒂安·康佛瑞,萨拉·莱维,罗汉·坎贝尔,科林·奥布莱恩,Corin Clark,奥斯古德·珀金斯,Danica Dreyer,Kingston Chan,Dianne Greenwood,齐亚·牛顿

神探伽利略 禁断的魔术

福山雅治,北村一辉,新木优子,村上虹郎,森七菜,渡边一计,泽部佑,朝仓亚纪,中村雅俊,铃木浩介,平原テツ

我叫艾妮塔

埃娃·梅兰德,克拉斯·蒙松,杰里米·科维尔罗,Anne-Marie Ponsot,伯恩·谢尔曼,Richard Forsgren,阿兰·杜泰,Måns Molin,马克斯韦尔·坎宁安,Sarah Rothman,Filip Gisslén,Omid Khansari,Liam Nisseborn,Cécile Combredet,Alexandra Creutzer

幕后花絮

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

画笔与旋律

  马蒂亚是一个画家,与一位有抱负的歌手同居,他靠艺术市场的变化来谋生。