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野村万斋,伊藤英明,今井绘理子,小泉今日子 Kyôko Koizumi,真田广之,夏川结衣,宝生舞,矢岛健一,石丸谦二郎,柄本明,岸部一德,萩原圣人影视排行
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田中秀幸,松井菜樱子,小山茉美,富山敬,林原惠美,本多知惠子,筈见纯,屋良有作,飞田展男,小林通孝,盐屋浩三,田中和实,小杉十郎太OVA化もされた園田健一原作のコミック「ガンスミスキャツ」の元となったOVA。「ロードバスター」の名を持つ凄腕の運び屋であるビーン・バンデット。ある日、ビーンはグリムウッド家の令嬢であるチェルシーを誘拐した容疑をかけられ、警察から追われる身になってしまった! 果たして、彼の運命は…?
恶战2025
Alfredo Cleto Batista,Carl Bruchhäuser,Holger Ebert活到最後才有繼承權資格…背叛、猜疑和貪婪交織!一場災難性的運鈔行動後,三噸貨物運抵目的地,但所有現金卻不翼而飛,幫派內部一片混亂。老大身亡,死於內部背叛和謀殺,幫派的得力幹將克萊奧挺身而出,誓要揭開真相,隨著真相逐漸浮出水面,一張由背叛、猜疑和貪婪交織而成的錯綜複雜的網也隨之浮現。
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Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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