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18岁的青春
全昭旻,金度延,秋昭贞,朴瑞妍,宋智妍三十九级台阶
罗伯特·多纳特,玛德琳·卡洛,露西·曼海姆,戈弗雷·特尔,佩吉·阿什克罗福特,约翰·劳里,海伦哈耶,怀利·沃森,格斯·麦克诺顿,查尔斯·贝内特,马修·博尔顿,阿尔弗雷德·希区柯克,迈尔斯·马勒森,弗雷德里克·派珀,约翰·特恩布尔,Frank Cellier,Jerry Verno,Peggy Simpson,Ivor Barnard,Noel Birkin,Carleton Hobbs,Vida Hope,Elizabeth Inglis,James Knight,Hilda Trevelyan,S.J.彭大将军
丁笑宜,古月,刘怀正,柴云清,王天鹏,黄中秋,谷永成,刘占坤,曹建中,浮学杰,谢志诚,毛玉文,张晏,李万年,袁进,邓茜,孙飞虎,孙达生,徐秋成,水天达,郭达最后的吸血鬼
工藤夕贵,中村佐恵美外星博士
拍得不错
方中信,周柏豪 ,张兆辉,蔡卓妍,卢海鹏,林雪,李灿森,应采儿,苗侨伟,宣萱同类推荐
连环杀手夫人
杰奎琳·费南德斯,马诺杰·巴杰帕伊,莫希特·雷纳,Zayn Khan一名医生因一连串令人震惊的凶恶案而入监服刑，他忠心的妻子打算模仿同样的杀人手法作案，借以证明他的清白。
血腥兄弟会
扎克里·伯德,菲利普·安德瑞·波铁洛,亚伦·达拉·维拉,扎克·维纳,Erica Boozer,卡梅伦·考普斯威特,杰西·皮门泰尔,让-路易·德户勒赫,Joe Gallagher,Melanie Rothman,亚历山卓·巴格特,Jackie Taylor,James WatsonA group of college freshmen pledge an exclusive fraternity but soon realize there's more at stake than they could have ever imagined.
林肯大战僵尸
小比尔·奥伯斯特,克里斯·赫洛泽,Jason Vail19世纪，经历了影响深远的南北战争，美国终于迎来了新的时代。亚伯拉罕·林肯（比尔·奥伯斯特 Bill Oberst, JR 饰）接连取得与人类的胜利，却不得不面对新的敌人。他麾下一直部队在巡察途中遭遇活死人，三十人仅有一人幸存，但由于惊吓过度精神失常。北方政府怀疑这是南方的最新武器，于是计划派出一支12人的小分队深入敌后，救出被困的人员。勇猛无敌的林肯见识了活死人的威力，自告奋勇带部队向南方进发。在目标要塞，他们遭遇了数量庞大的活死人军团，这群怪物的残忍更远远超出他们的想象。 死亡救援之旅漫长难熬，伟大的林肯总统能否带着他的子民逃出生天……
荒村怪谈
李文豪,杨雅涵,张萌萌,钟云鹏,贺颖怡,沈竹,王文采,苏禹铭,李朋霏,刘君豪规则怪谈！鬼村见鬼！千年荒村自古有＂人鬼相处规则＂。青年男女结伴夜闯阴山鬼林，破坏规则，导致鬼灵还魂，鬼啸瘆人，鬼影骇人，鬼杀夺命！一个美艳女子突然被鬼现锁喉，另一个精壮青年又被鬼爪掏心……阴风阵阵，尖叫四起，一场排队送人头的祭献大戏阴森上演，生者想死无门，却又无处可逃！究竟是千年的冤魂冲破魔咒到人间索血啜饮？还是古老地狱中逃出的怪兽掠杀食人？土匪也惊恐逃亡，猎手也慌不择路！夜半的茅草屋，怪叫撕心裂肺，鬼脸贴窗凝望，野鬼BOSS终将现行，终极＂规则绝杀＂如期而至！众人早已灵魂出窍，一具具行尸走肉又将如何战栗？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.