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微笑的山谷
米凯莱·里翁迪诺,罗马纳·马乔拉·韦尔加诺,Giulio Feltri巅峰猎杀
查理兹·塞隆,塔伦·埃哲顿,艾瑞克·巴纳,马特·惠伦,贝茜·霍兰德,亚伦·佩德森,罗伯·卡尔顿,邓肯·法洛,Julia Ohannessian,Niam Hogan,Willow Seager,扎卡里·加雷德,凯特琳·斯塔西克莱默夫妇
达斯汀·霍夫曼,梅丽尔·斯特里普,简·亚历山大,贾斯汀·亨利,霍华德·达夫,乔治·科,乔贝兹·威廉姆斯,比尔·穆尔,豪兰·张伯伦,杰克·拉梅奇,杰斯·奥苏纳,尼古拉斯·霍曼,埃朗·帕克,谢尔比·布拉默,卡萝尔·纳德尔,唐纳德·甘特里,朱迪丝·考尔德,彼得·洛兹,凯瑟琳·凯勒,丹·蒂拉,彼得拉·金,梅利莎·莫雷尔驱魔人：信徒
琳达·布莱尔,艾伦·伯斯汀,詹妮弗·内特尔斯,小莱斯利·奥多姆, 奥利维亚·马库姆,安·唐德,莉娅·朱厄特,拉法埃尔·沙巴拉格,诺尔贝特·里奥·布茨,本·布莱顿,克洛伊·特埃考丝,E·J·博尼拉,莉兹·约翰斯顿,丹尼·麦卡锡,安东尼·科隆,诺拉·墨菲,奥奎·奥克波克瓦西里,埃米莉·雷切尔·戈登,塞莱斯特·奥利瓦,特蕾西·格雷夫斯无惧神明
莉顿·梅斯特,托比·琼斯,本·巴恩斯,哈威·凯特尔,肯尼·沃莫尔德 ,里特奇·科斯特,保罗·本-维克托,Slaine,William Xifaras,Jay Giannone,Julie Ann Dawson,Stacey Queripel,Billy 'V' Vigeant,Armen Garo,Michael Yebba假面复仇
Marco Giallini,Edoardo Leo,Catrinel Marlon同类推荐
马路天使1937
周璇,赵丹,魏鹤龄,钱千里1930年代，小云、小红（周璇）姐妹被人骗到上海卖给琴师和妓院老鸨夫妇，小云被迫做了暗娼，小红年纪尚小，又天生有一副好嗓子，便随琴师去茶楼终日卖唱。姐妹两人住在贫民窟，在她们对面，住的分别是报贩老王和吹鼓手陈少平（赵丹）。因为闲来无事时陈少平常同小红对窗玩闹，两人渐生感情。 小红卖唱时被流氓古成龙缠上，对方欲强霸她为妾，小红找陈少平商量对策，两人本想借助律师将正义伸张，不想律师双眼只认钱，无奈之下只得逃走，而这一过程中，老王对小云由怜生爱，可是小云却因自卑不敢正视。琴师偶知陈少平与小红下落，放风给古成龙，古成龙赶到小红住处时，屋里只有她和小云，两人生命危在旦夕。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
血洒胭脂马
罗伯特·蒙哥马利,旺达·亨德里克斯在边境城市圣帕布罗，为一年一度的“墨西哥嘉年华”做准备，加金到来了：强硬，神秘和简洁。他的任务是：找到同样神秘的弗兰克雨果，显然是为了报复；还是敲诈？FBI探员雷茨也在追捕难以捉摸的雨果。镇上的每个人都是神秘的，尤其是皮拉，一个神秘的少年，跟随加金四处，并预感到他的死亡。还包括一个经典的女性法塔莱和一个古老的旋转木马与一个粉红色的马…
柏林危机
汤姆·弗拉席亚,玛莎 莱奥妮 巴赫,肯·杜肯,理查德·艾沃特,艾米莉·普拉斯-琳克,基达·拉马丹,蒂姆·维尔德德国男星肯·杜肯自导自演的惊悚片处女作，精神创伤的精英战士在前往柏林探望女儿的途中搭载了一名面善的拦车者，却没料到后者正酝酿着一起柏林恐怖袭击。伴随多次视角转换和对善恶问题的拷问，在逐步揭开极端的意识形态深渊的同时，两名主角最终将故事引向意外结局。
钟无艳
郑秀文,梅艳芳,张柏芝,黄浩然,林雪,王天林,许绍雄春秋战国时期，一向昏庸好色的齐宣王（梅艳芳饰）误闯夜叉山，碰上了美丽的寨主钟无艳（郑秀文饰），齐宣王决定把钟无艳娶为皇后，可是一直倾心于钟无艳的“狐狸精”（张柏芝饰）出手阻挠，只要钟无艳爱上其他的人，脸上便会无缘无故多出一块难看的红斑。狐狸精后来化身夏迎春勾引齐宣王，齐宣王终日沉醉温柔乡。而钟无艳为了夫君出生入死、南征北战。齐宣王只会有事求助于钟无艳时才好言相向。齐宣王十分好赌，竟然把钟无艳作为作为筹码输掉了，钟无艳愤怒离开，脸上红斑也自然消失。夏迎春得逞后也离开了皇宫，齐宣王才发现自己最爱为何人，浪子回头。在受到叛徒攻击时，还是爱着齐宣王的钟无艳，赶到了皇宫，帮忙驱走外敌……