乳镇女巫

评分:8.1 播放:56万 更新:2026-05-26

  Anancientcurseaffectinganaveragehusbandbecauseofthelong-agoactionsofanancestor海外影视

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  影片讲述了一个从小被抛弃于森林,依照动物生存模式存活下来的女人。被一个男人掳掠回家并且受尽欺凌。这家人中,男主人极度大男子主义,仇视女人。小儿子因为受父亲教导也对女人极不尊敬。懦弱并逆来顺受的母亲,被父亲侮辱而怀孕的大女儿,以及不谙世事的小女儿。故事的最后,大女儿在极度绝望和恐惧的支配下放了野女人,野女人杀了她的父母和弟弟,带走了她的妹妹。   本片以不太恐怖的氛围,却深刻的暗喻了一个至今仍然存在的严重的社会现象,男人应该如何看待女人,女人应该如何正确扮演家庭中的角色。

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  The boisterous, arrogant professor Challenger, a reputed biologist and anthropologist, dares the London Zoological Society to mount an expedition to verify his spectacular claim, without physical proof, that his previous expedition to the Amazonian basin found live dinosaurs. Apart from him and his 'socialite' counterpart, professor Summerlee, it consists of experienced discoverer Lord Roxbury, the young reporter Ed Malone -who got publicly struck down with Challenger's umbrella at his arrival- and Jennifer Holmes, Malone's news agency's boss's daughter, essentially as conditions for putting up the money. In Brazil they are joined by Jennifer's brother David and local 'guide' Manuel Gomez. They soon discover the dinosaurs are real and dangerous, like giant spiders, but loose their helicopter and thus are desperate for a way down from the isolated plateau. They learn Roxbury knew about the fate of Burton White, an explorer whose diary they find, thus presume to be dead, in search of diamonds, and confirmation of the local tribe being the lethal guardians of the plateau's secrets, but also get surprising help...

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帕姬·布鲁斯特,奥利维亚·泰勒·达德利,卢·泰勒·普奇

一对互相捆绑的挚友,在生活崩塌之际,遇见了自称能治愈一切创伤的神秘男子布莱恩。他的触碰如毒品般令人上瘾,瞬间抚平焦虑与抑郁,却在温柔面具下藏着外星掠食者的獠牙。当两人受邀前往他的偏远庄园,这场“疗愈之旅”彻底失控:触手、血案、精神操控,一场以爱为名的寄生,正在吞噬他们的灵魂与世界。

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  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.