责罚
小酒馆玉之屋的女招待阿妙（宮下順子 饰），是一位美丽温良的女孩。某晚，她邂逅了足以改变她一生的男人——伊藤晴雨（山谷初男 饰）。伊藤是一个官能民俗学者，对古代花样百出的刑法有着深入的研究。他一度让自己几任妻子亲身再现这些刑罚，并将之拍成照片。阿妙为伊藤吊诡的世界所吸引，从此沉湎其中。这个看似柔弱的女子有着令人难以置信的忍耐力，为了超越伊藤的前妻，她可以忍受各种各样的酷刑。 伊藤似乎找到了真正的知音，但是这份和谐并未持续太久，阿妙不断显现出奇怪的举动。经诊断，她患有先天性麻痹，换言之即是梅毒。原来她的母亲（南寿美子 饰）曾作过娼妓，阿妙不幸被遗传，命不久矣…艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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治疗尸
陈郡君,张立昂,蔡子,陈沛兴,钟丽芬,刘芷希如果灵魂离开了身躯，肉体还是正常活动，该怎么去解释这种生命形态？余燕（陈郡君饰）早晨醒来便觉得身体有异常，先后与家人和男友许德（张立昂饰）发生争执，盛怒的余燕转身离去，随后发生车祸。经医生抢救逃过死劫，却找不到心跳。此时她被劫走，醒来后身处在地下密室，研究失魂者的胡教授解释余燕会失去魂魄，是因为内心有强烈的负面磁场，一旦受到冲击，灵魂就会脱离身体。余燕需要在72小时内把自己的灵魂找回来，才能够恢复正常。
南部僵尸来袭
Megan Few,Jeremy Sande,Michael JoinerLonnie, a crop duster pilot, must lead a mismatched group of survivors to escape the deadly zombie horde after an experimental chemical, intended to control the invasive kudzu vine, transforms the citizens of Charleston, MS into zombies.
调平
以纯AI影像讲述新疆乡村故事，用一张台球桌、半张老照片，写透技术与乡土、完美与真实、时代与个体的温柔碰撞 ——真正的调平，不是抹平一切，而是让每段带褶皱的生命，都有自己的节奏。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
爱我爱我
米尔·詹金斯,佩佩·巴罗佐,卢卡·梅卢奇,Andrea Guo,Michelangelo Vizzini,Madior Fall,Vanessa Donghi朱恩（June）在哥哥去世后搬到意大利，寻求新的开始。在她的新精英学校里，她被詹姆斯（James）吸引，詹姆斯是个勇敢却危险的人，卷入了非法综合格斗（MMA）比赛，但她却开始和詹姆斯最好的朋友威尔（Will）约会，威尔是个完美的模范学生。然而，表象具有欺骗性，朱恩很快发现学校里的人都并非表面那样，每个人都隐藏着秘密。随着紧张局势加剧，隐藏的真相浮出水面，朱恩需要决定自己的心真正属于谁。
我的朝圣之路
克里斯·海伍德,Jennifer Cluff,Laura Lakshmi2013年，一名离60岁还有几个月的澳大利亚男子决定走圣地亚哥之路——一条横跨西班牙山顶的800公里朝圣之路。他没有宗教信仰，也完全不知道为什么他如此强烈地被迫走这条痛苦的路。但他是被迫的。他完成了步行，与“三重疼痛”作斗争——他后来发现膝盖缺乏任何有意义的软骨，一看到水泡就会让一个成年人哭泣，胫骨酸痛感觉就像他的下肢被一个疯狂的巨魔挥舞的山斧劈开了。当他到达圣地亚哥德孔波斯特拉雄伟的大教堂卡米诺的尽头时，他期待着一个顿悟——一个他每天都在问自己的问题的答案：我为什么要这样做？但没有人回答。所以当他回到家时，他写了一本书，希望答案能在他的涂鸦中显现出来。结果就是《路，我的路》，这是一本幽默而自嘲的书，许多人认为这是有史以来关于走过卡米诺的最好的回忆录。这本书现在已经拍成了一部电影，它非同寻常地描述了一个男人在人生的关键时刻，寻找意义，发现自己正在经历一场深刻的根本性转变，以至于他现在将自己的生活分为“卡米诺之前”和“卡米诺之后”。这是一个男人特有的故事，但对任何寻求生命更大意义的人都有吸引力。