天使禁恋
刚从部队退伍的韩都京，返乡时在船上遇到美丽的女子佳艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。都京接受好友景受的招待，到岛上一家妓院寻欢，却发现佳人是该院的妓女。佳人对都京一见锺情，二度要求都京娶她为妻，并以跳海相逼。佳人趁都京外出，来到韩家勾引都京的父亲，顺利进入韩家。从学校返家的都京看到佳人已住进家裡，要求佳人离开。
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相遇之家
宋智孝,都嬴谞,玉智英,尹惠利QB坏男孩和我2
斯艾娜·阿古顿,诺亚·贝克,詹姆斯·范德比克,德鲁·雷·坦纳岳家小将
寻峰,魏巍,张安继,刘卫民,张希玲,黄骏,沈炜,崔月明,张恩宏,张成忠,孙花满,张跃宁,王振田,蒋荣全,宋文华,宋万熙,胡文丽,江锡荣防弹武僧
周润发,西恩·威廉·斯科特,杰米·金,卡瑞尔·罗登,维多莉亚·斯莫费特,岩松信,袁之正,克里斯·柯林斯,肖恩·贝尔,罗布·阿切尔,袁罗素,保罗·福托,Suresh John,查得卡米列里,约翰·麦克唐纳,马特伯尔曼,Henry Korhonen,Lloyd Adams,Tommy Chang,Alan Tang,林益盛,Michael Cameron,麦克·多普德,Patrick Hagarty,Joyce Kirkconnell,迈克尔·塞尔切基夜逃屋本铺2
中村雅俊,高木美保,益岡徹,中島陽典,風間杜夫,松居一代,中山忍,余貴美子疯狂的麦克斯：狂暴女神
安雅·泰勒-乔伊,克里斯·海姆斯沃斯,汤姆·伯克,艾莉拉·布朗,乔治·谢夫佐夫,拉黑·休姆,约翰·霍华德,安格斯·桑普森, 查理·弗雷泽,埃尔莎·帕塔奇,内森·琼斯,乔什·赫尔曼,大卫·菲尔德,拉赫尔·罗曼,戴维·科林斯,戈兰·D·克鲁特,CJ·布隆菲尔德,马图斯,伊恩·罗伯茨同类推荐
伤心童话
刘诗诗,胡夏,大左,谢楠,徐正超,伊力奇,杨悦,付滃,张子栋,赵佳怡,鞠泓宇,张一鸣,叶清源影视公司宣传企划杨佳（刘诗诗 饰）得了怪病，命悬一线。暗恋她的程序员刘同（胡夏 饰）为使她不留遗憾，决定在她每次昏迷苏醒之际，以穿越之名为她圆梦。但，刘同的行动并不顺利，除了突发情况带来的穿帮，还有来自情敌尹哲（大左 饰）的奋力阻挠、戳穿。刘同竭尽全力与重重困难斗智斗勇，结果却完全出人意料——原来，杨佳并非真病，她是为对付上司骚扰，佯作患疾。刘同的努力，她完全明了，刘同为她精心设计的从民国到未来，跨越200年的美妙梦境，让杨佳深受感动。大家到此方才恍然大悟。可是，又一个意外横飞而来……
复仇双雄
奥马尔·查帕罗,亚利桑德罗·斯佩特泽尔,葆拉·努涅斯,娜塔莉亚·索利安,路易斯·阿伯提,Vasil Simeonov,伊阿祖娅·拉里奥斯,Lizeth Selene,古斯塔沃·桑切斯·帕拉,Ana Carrillo,Gaudi Chris,José Salof故事围绕墨西哥特种部队精英卡洛斯（绰号“公牛”）展开，他在一次任务中成功抓获了犯罪集团头目，却因此遭到报复，妻子在他面前被残忍杀害，自己也沦为通缉犯。走投无路之际，他意外中了彩票头奖，一夜之间拥有了复仇的资本。他与挚友、战友米格尔联手，将全部财富转化为武器和情报，从被通缉的逃犯，变成了以暴制暴的“复仇猎人”，目标是让所有参与杀害他妻子的人，付出最惨痛的代价。
末世厨房
凯恩·罗宾森,小霍普·伊克波库,亨利·劳福,鲁本·奈雅马,后路咭,克里斯塔尔,阿伦·阿萨德,拉萨克·库科伊,埃华特·詹姆斯·沃尔特斯,莱斯利-安妮·米勒,戴米·拉迪波,杰戴亚·班纳曼,菲奥娜·马尔,伊恩·赖特,阿拉贝拉·麦克穆雷,布莱德利·WJ·米勒,泰贾·卡布斯,雷娜·查基尔,泰亚尔尼·费伦-斯宾塞,奥利维娅-罗丝·科利亚德伊兹很快就可以逃脱伦敦仅存的住宅小区“厨房”。但小班吉走进他的生活后他需要做出一些艰难的决定。
月球
山姆·洛克威尔,凯文·史派西,多米妮克·麦克艾丽戈特,卡雅·斯考达里奥,本尼迪克特·黄,马特·贝里,马尔科姆·斯图尔特,罗宾·查克未来世界，随着科技的飞速进步，地球的污染也越来越严重。为了遏制这种现状，一家名为月能工业有限公司的企业应运而生。该公司致力于月球能源的开发，通过采集氦-3来满足地球对能源的需求。月能公司在月球设有基地，山姆·贝尔（山姆·洛克威尔 Sam Rockwell 饰）正是该基地 上唯一的工作人员。山姆是公司聘用的合同工，他已在月球孤零零地生活3年，陪伴他的只有智能机器人戈蒂（凯文·斯派西 Kevin Spacey 饰）。枯燥乏味的生活令山姆归心似箭，在还有两周就离开月球的时候，山姆偶然遭遇一起事故。醒来后的他发现戈蒂似乎对其有所隐瞒，公司高层也拒绝他的回程请求。山姆借机逃出基地，却在事故发生地点发现另一个自己…… 本片荣获2009年爱丁堡国际电影节最佳英国影片奖、2009年西雅图国际电影节最佳男主角奖。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.