剧情纵览
罗伯特是一个摄影师, 他富于灵感, 洞察力强, 喜欢冒险。为了创造他想象中的完美艺术, 他寻找到了年轻漂亮的卡琳, 卡琳是个天才模特, 虽然她自己不知道, 但是罗伯特发现了她, 本来卡琳不愿意当模特, 但是罗伯特说服了她, 因为他要带她去非洲写景。在原始大森林里, 他们迷失了, 身边不是狮子就是老虎毒蛇, 生死关头他们相爱了, 但是他们能否回到自己的家里享受爱情的甜蜜呢?
罗伯特是一个摄影师, 他富于灵感, 洞察力强, 喜欢冒险。为了创造他想象中的完美艺术, 他寻找到了年轻漂亮的卡琳, 卡琳是个天才模特, 虽然她自己不知道, 但是罗伯特发现了她, 本来卡琳不愿意当模特, 但是罗伯特说服了她, 因为他要带她去非洲写景。在原始大森林里, 他们迷失了, 身边不是狮子就是老虎毒蛇, 生死关头他们相爱了, 但是他们能否回到自己的家里享受爱情的甜蜜呢?
讲述一个看门人被困在一个女厕所,遇到一批僵尸的攻击……
由一桩荒诞的“卫生巾杀人魔”案件展开,讲述了几个在日本的中国人,阴差阳错地卷入一场黑帮斗争,与日本毒枭斗智斗勇的故事。他们一个是帮派面临倒闭妄图自裁的帮派老大、一个是吊儿郎当的黑导游、 一个是残暴歹毒的黑帮毒枭、一个是唯利是图的歌舞伎町老板、一个是胸怀大志却碌碌无为的警 探,每个人为了达到目的经历了一番复杂而有趣的遭遇。 主角刚正是一个在日本漂泊的“老炮儿”,亲手建立的帮派日益衰落,试图自裁却意外卷进命案,发现了惊人的秘密。对正义与规矩的坚守,使他选择与日本黑帮毒枭正面对决。
一双绣花鞋,隐藏着一个死亡诅咒,凡是穿过绣花鞋的人都意外惨死,无一幸免。安雯(何乙轩 饰)大病未愈,摆脱了丈夫潘航(辉灿 饰)和医生的看护,独自逃回老家古宅生活。安雯在老宅发现了一双祖上流传并受到死亡诅咒的绣花鞋,阴差阳错之下绣花鞋穿在了她的脚上,意外开启了绣花鞋上的死亡诅咒。咒怨生效冤魂索命,盘桓在老宅之中的诡影无处不在,无法摆脱的恶灵如影随形,迫使频临崩溃的安雯做出疯狂的举动,陷入一场危机四伏的惊魂逃亡……
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster