剧情简介
曹查理与李中宁各自携女友去泡酒吧，在包厢内他们一边谈笑风生一边还看起了香港的3级片来，更有意思的是他们看的居然还是各自年轻时拍过的3级片。就这样，他们一边看一边还在争论着谁拍得更刺激演技更出色呢
为你推荐
有罪，AI如此宣判
芳根京子,臼田麻美,桥本淳, 井内悠阳,小川冬晴,滨田信也,藤井直树,荒井敦史,坂口涼太郎,儿岛雄一,岩谷健司,岸本鲇佳,浅野和之,风吹淳,国村隼新人法官高远寺圆（芳根京子饰）每日忙于庭审中的证人询问、审阅证据与鉴定报告、检索判例以及撰写判决书等工作。某日，圆被委以重任，负责测试性引入法院的AI系统“法神”。当输入过往审判数据后，“法神”瞬间生成的判决书与法官苦心撰写的文书毫无二致，判决结果也完全一致。法官们为工作效率的飞跃提升欣喜不已，唯独圆对“法神”始终心存警惕。 圆与临近退休的法官桧叶共同负责一宗18岁少年刺杀生父的案件。作为审判长的桧叶在开庭前将数据输入“法神”进行判决模拟，AI瞬间给出的判决是“死刑”。 对AI能力深感兴趣的桧叶。对AI愈发警惕的圆。当陪审员们也卷入其中时，人们再度直面探寻真相的艰难困境。究竟谁能辨明真相？是AI？是人类？还是・・・ 这部社会派娱乐作品直面当下以惊人速度渗透社会的AI技术，深刻叩问使用AI的人类应有的姿态！
双生疑云
Anjali,Joju George,Srindaa一名警察遇害身亡，查案的警员发现这与其双胞胎兄弟及他们令人不安的过去有关，一场令人心惊胆战的真相探查就此展开。
超凡世界
约翰·迈尔斯,Géza Röhrig,迈克尔·古尔德,海莉·卡迈克尔,奈德·丹内利,赫立德·阿卜杜拉,艾力克·高敦,塔尼娅·雷诺兹,塔格·墨菲,扬·贝弗特,凯特·迪基,萨姆·卢维克,阿德里安·劳林斯,Slavko Labovic,乔纳森·凯斯,伯恩·戈曼,西蒙·曼勇达,蒂姆· 普莱斯特,道格拉斯·罗素,拉多米尔·尼科利奇带观众走入衰败中的欧洲，来一趟超凡之旅。集结了黑色幽默和奇幻故事，讲述一群人在碰上了一位陌生人之后，他们的生活开始崩坏。
普通事故
瓦希德·穆巴谢里,玛丽亚姆·阿夫沙里,艾卜拉希姆·阿兹兹,哈迪斯·帕克巴滕,马吉德·帕纳西,穆罕默德·阿里·艾利亚斯梅尔,德尔玛兹·纳加菲,阿菲桑内·纳姆巴蒂,乔治·哈什姆扎德,莉安娜·阿兹兹菲只是一场意外，却又超乎意外。驾车撞死一条狗，男子与妻女来到陌生车房。凭其义肢走动时的声响，车房工认出司机或是当年施酷刑的狱吏。仇人送上门，雪恨更待何时。然而，狱中受折磨时双眼被蒙，嫌疑犯是行刑者确实无误？从早到晚奔波一轮，找来几个狱友确认俘虏身份，痛苦回忆涌上心头。在无 垠沙漠等待把他活埋私了，有若在人性荒原等待果陀，替天行道又是否问心无愧？以悬疑惊栗布局，暗黑写实的人物故事来自巴纳希狱中亲见亲闻，将苛政、滥权、以暴易暴一一置于道德伦理的天秤上，丈量人性轻重；悲愤中不失幽默，连消带打贪污贿赂之风。一面金棕榈奖，绝非意外。
鬼上车
卢·洛贝尔,雅各布·西皮奥,梅丽莎·里奥,德薇埃尔·约翰逊,邦妮·迪肖恩,布雷特·贝德罗西安,托尼·杜佩,杰西卡·克鲁兹,米歇尔·L·皮特斯一对年轻夫妇在高速公路目睹一宗惨烈车祸，离开事发现场后不久，他们开始发现自己被神秘“乘客”尾随！这个如恶魔般纠缠不休的跟踪者，不达目的誓不罢休，令他们的公路旅行变成了一场噩梦。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
差不多的朋友
弗莱迪·海默,奥德娅·拉什,克里斯托弗·米洛尼,海利·乔·奥斯蒙,杰克·阿贝尔,丽塔·沃尔克,玛格·海根柏格,泰勒·约翰·史密斯本片是由杰克·哥德博尔格执导并担任编剧，弗莱迪·海默、奥德娅·拉什和克里斯托弗·米洛尼等人出演的喜剧片。