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困惑的浪漫2
Monika M. , Mark Reeder , Lena Braun因丢失尸体和爱人，罗伯特（Daktari Lorenz 饰）在绝望中以极其惨烈的方式自杀身亡。然而他的尸体并未因此得到宁静，仿佛命中注定一般，才被葬入黄土不久的罗伯特又被妙龄女郎莫妮卡（Monika M. 饰）挖了出来。莫妮卡和罗伯特一样，对死尸有着深深的迷恋，她和死去的罗伯特仿佛爱人似的生活在一起。 某晚，莫妮卡在电影院门口邂逅马克（Mark Reeder 饰），两人随即开始交往。看似浪漫的爱情虽然让莫妮卡一度想要改掉怪异的爱好，但她仍然无法接受爱情的索然无味。直到某天，马克发现了女友的秘密，他们的关系开始朝着不可预测的方向发展……
英雄三元里
严屹宽,刘秋实,孙昊,闻雨,王光辉,孙蛟龙,陶奕希,方洋飞,文东俊,李圣雄,王禹森,吕文军,陆丰,爱多,马铁摩1840年鸦片战争爆发，英军侵略军攻破广州，饱经鸦片毒害的百姓活在至暗时刻。萧岗士绅何玉成（严屹宽饰）受关天培之托嘱，立志寻找时机保卫广州城。 故事从三元里村武馆教头刘三义（刘秋实饰）和其兄弟韦绍光（孙昊饰）企图烧毁十三行码头的洋商趸船开始... 影片质朴还原了三元里抗英这段鲜为人知的史实，用悲壮美学与历史质感交织的视听讲述了鸦片馆血案的个人复仇，到牛栏岗生死战的民族抗争。致敬民族先辈，当外侮侵犯时，每一个挺身而出的小人物，都是照亮民族暗夜的英雄。
消失的人
郑恺,刘浩存,邱泽,李晨,姜妍,黄小蕾,李梦,张琪,毕雯珺,冯兵,滕哲,冯雪雅,汤心一一个寻常的清晨，唐宇（郑恺 饰）的儿子在楼梯间凭空消失；隔壁单元里，独居女孩林雨彤（刘浩存 饰）在熟睡中被人侵犯；赌鬼租客严午（邱泽 饰）满身血污，谎编踪迹藏匿尸体。这栋看似平静、不起眼的居民楼里，每个擦肩而过的“熟人”，都有可能是藏着獠牙的恶鬼。当人心比鬼更可怕时，你每天出入的家门，都可能是通往地狱的入口……本片改编自豆瓣阅读连载小说《海葵》，作者贝客邦。
第六日
阿诺·施瓦辛格,迈克尔·拉帕波特,托尼·戈德温,迈克尔·鲁克,莎拉·温特,罗伯特·杜瓦尔克隆技术在不远的未来有了长足的进步，但复制人仍是法理上不可逾越的禁区，政府通过《第六天法》严格禁止克隆人。 飞行员亚当（Arnold Schwarzenegger 饰）拥有幸福的家庭，他出于本能的厌恶那些违背自然规律的基因技术。亚当平时的工作是和搭档送游客上雪峰，这天他们为宠物克隆公司的老板恰克（Tony Goldwyn 饰）服务，搭档顶替亚当驾驶却发生了意外……回到家中的亚当发现居然有一个克隆人顶替了自己的位置参加他的生日宴，莫名惊恐之下他又被来路不明的杀手追杀，他很快明白自己成为了宠物克隆公司的人类复制试验品，做为母体，他面临被消灭的危险。 在逃亡的过程中亚当与暴力反对克隆人计划的组织合作，成功潜入宠物克隆公司，并控制了克隆人技术的负责人威尔博士……
快乐猎杀
Martin Dingle Wall,Ken Lally,C.J. Baker,Gary Sturm一个酗酒的二逼必须跟另一帮沙漠里面脑子有病的残忍土老帽儿玩儿被猎杀的游戏，你觉着他能坚持到最后么 五名酗酒者, 成为贝德福德平原狩猎小镇的狩猎对象, 而沃伦则是佼佼者, 他们与镇民展开了输死搏斗, 面对全副武装的镇民, 他们能否逃出升天? 得知前女友在墨西哥過世而且留下他們的女兒，酒鬼沃倫決定當個好父親，開始戒酒並前去接回女兒。途經一座沙漠小鎮停車休息，卻在當地意外陷入昏迷；再醒來後，沃倫發現自己恰巧遇上小鎮的狩獵季節，而獵物竟是沃倫與其他旅客！除了要應付鎮民的瘋狂追殺，同時還要克服不斷襲來的戒斷症狀，沃 倫能否順利逃出沙漠，與女兒共享天倫之樂？
求药
何一诺,刘平,李思韵,孛玺宇,胡轶凡,孙梓屹,徐丹,王成,冯丹影片讲述父亲张释全因过失导致女儿身亡后误入邪教，试图通过求取神药救治重病儿子，在目睹妻子遭受邪教迫害后幡然醒悟，最终联合妻子揭露邪教并将其绳之以法，使儿子获得正规医疗救治的故事。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.