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朱莉娅·奥蒙德,欧列格·缅希科夫,阿列克谢·彼得连科,理查德·哈里斯,弗拉基米尔·伊林这就是我2026
望月春希,斋藤工内乱夫人
崔有华,이영준,김학수乱马12:中国昆仑大决战!破坏计划之激斗篇!!
山口胜平,林原惠美,日高范子,盐泽兼人,玉川纱己子,大林隆介,绪方贤一,高山南,井上喜久子,铃置洋孝,井上和彦,鹤弘美,山田荣子,松井菜樱子,山寺宏一,佐久间玲,关俊彦,岛津冴子,吉村佣,子安武人,真殿光昭,石田彰,永井一郎,麻生美代子影视排行
惩罚者:最后一击
乔·博恩瑟,杰森·R·摩尔,朱迪斯·赖特,黛博拉·安·霍尔,安德烈·罗佑,尼克·库马拉索斯,贾马尔·劳埃德·约翰逊,多米尼克·曼齐诺,约瑟夫·德维托,大卫·曼努埃尔,多纳尔·奥·赫莱,约翰·道格拉斯·汤普森弗兰克(乔·博恩瑟 饰)在寻找复仇之外的人生意义时,被一股意想不到的力量拉回了战斗。
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森崎温,向井康二,及川光博,藤原大祐,齐藤京子,逢见亮太,筒井真理子,皮拉维·塔奇沙鹏,查隆拉·诺山荣,普雷瓦·苏坦蓬被突然的任命令从东京派遣到海外工作的研究员·想太(森崎温 饰),在曼谷与学生时代一直暗恋的凯(向井康二 饰)再会。看到在泰国作为摄影师兼音乐人活跃的凯的身影,内心产生了动摇。另一方面,小凯也对学生时代唱过的“未完成的歌”感到惊讶。将两人联系在一起的歌声再次在心中响起……
我们很危险
埃拉娜·詹姆斯,瑞玛·特·维塔,Nathalie Morris西南偏南电影节剧情片竞赛。 Nellie and Daisy attempt to escape the institution for delinquent girls in 1954 New Zealand, however not only are they caught, it triggers a relocation to a facility on a remote island. The duo become a trio as well-to-do Lou joins them, and life on the island takes shape under the command of devout Matron. The trio rail against the system, dubious of the benevolence of the bible and taking refuge in their blossoming friendship. It’s hard to reform girls who don’t believe they need reforming. However, a sense of doom settles in when experimental forms of punishment take place in the dead of night. Nellie and Daisy plot rebellion, but unexpectedly find themselves at odds with Lou, who is afraid to break the rules.
公寓2024
斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.