　　不明妖星哥拉斯在茫茫宇宙中不断前进，沿途吸附大量的星际飞行物，不断的变庞大，日本的观测宇宙船隼号，为了探明其质量大小，不幸被一起吸附，但是其在最后关头向地球发出了其质量数据，使地球上的人对其有了个初步认识，后经科学家计算测定，其质量为地球的６１００倍，而且将在４５天后与地球相撞。　　为阻止地球与哥拉斯的相撞，科学家想出了一个大胆的办法，就是运用水素离子装置在南极造一个喷射基地（类似与火箭发射器），让地球动起来，在哥拉斯到来之前，使地球移动到其他轨道．等哥拉斯安全通过后，然后在北极在建个基地，使地球在回到原来的预定轨道。　　计划实施的非常顺利，全世界各国在国联的带领下在南极建立了基地，但是由于在南极建造基地，在火焰发生器的作用下让长眠在南极的海象怪兽苏醒了，并破坏了一部份基地，后来，在飞机导弹的攻击下，怪兽死了，但由于怪兽的破坏，火箭发生器推迟了时间，到底地球能不能脱离哥拉斯的吞噬呢？

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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