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剧情提要
料理做得好,笑容迷人的邻家女朋友卡伦。为了朋友肯亲手做盒饭,心地也很善良。但是有件事让Ken很为难,所以穿着黑色内衣都透的白色T恤。因为无处不在而更加困难的肯,看到卡伦被雨淋湿的样子,异性的纽带就断了。
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痊愈
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兰维尔·辛格,阿克夏耶·坎纳,桑杰·达特,阿俊·拉姆鲍,马达范,莎拉·阿尔琼,Rakesh Bedi,Danish Pandor,Saumya Tandon,高拉夫·杰拉,Manav Gohil,Naveen Kaushik,阿卡什·库拉纳,K Anshuman Thakur,Vikash Rai奥利维娅与云
Olga Valdez,Héctor Aníbal,Elsa Núñez,Dominique Goris,Fery Cordero狼蛛
约翰·艾加尔,里奥.G.卡罗尔,克林特·伊斯特伍德民国惊魂录
郝普,陈凯欣,曹璐象人
安东尼·霍普金斯,约翰·赫特,安妮·班克罗夫特,约翰·吉尔古德,温蒂·希勒,弗雷迪·琼斯,迈克尔·埃尔菲克,汉娜·高登,海伦·瑞安,约翰·斯坦丁,德克斯特·弗莱彻,莱斯莉·邓禄普,菲比·尼克尔斯幕后花絮
喷火女郎
叉烧(郑丹瑞 饰)是一个不务正业的小青年,整体装神弄鬼骗钱。一天,叉烧的一个租客——在夜总会当妈妈桑的大B(叶德娴 饰)的家里来了一个客人,她美丽的外甥女云云(邱淑贞 饰)。大B用尽千方百计将美丽的云云哄到夜总会当舞女,想着从她身上大赚一笔。一个晚上,黑社会老大炮哥到夜 总会消遣时遇到了云云,炮哥垂涎她的美色,找人把云云捉走了。怎知谁也料不到云云这个弱女子竟然拥有超能力——会喷火,关键时候她用自己的超能力脱身了。不久叉烧就得知了云云的这个本领,于是,一个坏主意计上心头……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.