沉默的灵魂
米洛（尤里·特斯瑞洛 Yuri Tsurilo 饰）和妻子坦亚（尤利娅·奥格 Yuliya Aug 饰）结婚多年，虽然漫长的婚姻生活中也曾遭遇过危机和困境，但两人齐心协力相互信任，彼此之间的感情一直十分要艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。一场意外夺去了坦亚的性命，妻子的死让米洛陷入了悲伤和绝望之中，终日生活在回忆里，终于，他决定前往遥远的神圣之湖，在那里和妻子做最后的告别，开启新的生活。
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热门影视 大家都在看
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Julie Cobb,巴德·库特,凯尔·杜拉,朗·奥尼尔,玛西亚·斯特拉斯曼,迪克·安东尼·威廉姆斯,琼内尔艾伦,珍内塔·阿尔内特苍蝇之母
约翰·亚当斯,露露·亚当斯,泽尔达·亚当斯,托碧·波塞尔提线木偶
李忠秀,具智成,韩素英温泉鲨
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寺岛惇太,齐藤壮马,畠中祐,八代拓,五十嵐雅,永冢拓马,内田雄马,苍井翔太,武内骏辅,杉田智和,柿原彻也,前野智昭,增田俊树,三木真一郎,关俊彦,森久保祥太郎,浪川大辅,中山咲月,山下诚一郎,小林龙之,土田玲央,河合健太郎,鹈泽正太郎,橘龙丸,浦田涉,天月,梶原岳人,田丸笃志,近藤隆,大桥贤一郎,冈本信彦《棱镜少男 KING OF PRISM》系列新电影
民国惊魂录
郝普,陈凯欣,曹璐民国年间，上海滩闸北区保德路发生一桩命案，死者后来经过确认，竟然是马源商会老板马广则。 多年来，马源商会在闸北一直都颇具影响力，马广则更是最被看好的商界风云人物，他的死打破了闸北区原本的宁静。
极度失眠
Maria Mathiesen,斯特兰·斯卡斯加德,斯威尔·安克·奥斯达,Gisken Armand,克里斯蒂安·菲根斯科1997年，一部来自挪威的惊悚片《失眠者》上映后获得好评，《芝加哥太阳报》的著名影评人罗杰，艾伯特给出了3星半的高分，他盛赞该片“不仅仅是一部惊悚片或动作片，而是一次心理学上的探索与学习”。两犯罪调查者到挪威北方一个镇帮助解决一个年轻的女孩的谋杀案，谁知陷入了巨大的困境之中。
两个心脏
金宣儿,马东锡,李清娥,郑仁基,朴孝朱,申正根改编自同名网络连载漫画，由原作漫画作者郑严植亲执导筒拍摄。该片讲述了被连环杀人犯夺去家人的女子以自己的脏器作为担保展开报复行动的故事。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster