玉蒲团2玉女心经
财主西门坚为了女儿西门柔避开狂风浪蝶的追求，令女儿作男装打扮，女儿求学结识了书生花道，彼此有一段友谊发展，当花道发现她是女儿身，拼命追求。坚一方面好色，本为白痴儿子娶妻幻姬，垂涎她美色，更把她纳为妾。原来她乃魔女幻姬化身，懂采阴补阳，暗中把西门坚的其他妾侍杀掉，最后更吸尽西门坚的精华。西门柔与花道企图揭开幻姬之阴谋，一场大战展开
即刻观影
剧情赏析
编辑推荐
志愿军：浴血和平
张子枫,宋佳,朱亚文,陈飞宇,彭昱畅,肖央,王砚辉,郭涛,王传君,周政杰,张宥浩,吴昊宸,王挺,郭晓东,李晨,杜江,冯绍峰,闫妮,阿如那,曲禾,王雨甜,于谨维,王阳,张雪迎,刘军,朱一龙,辛柏青,袁凯,梁靖康,于清斌电影《志愿军》三部曲系列终章《志愿军：浴血和平》聚焦抗美援朝第五次战役后直至签署停战协议期间“边打边谈”的作战历程。前线战斗血火交锋，谈判桌上唇枪舌剑，面对敌人的一再挑衅，中华儿女合力反击，誓要奉陪到底，经过747天的抵死奋战，终于打破了美军不可战胜的神话，搏来了期盼已久的和平。
家弑服务
西德尼·斯维尼,阿曼达·塞弗里德,布兰登·斯克莱纳,米凯莱·莫罗尼,伊丽莎白·珀金斯,梅根·弗格森,艾伦·塔玛基,印第安娜·艾尔,伊万·阿马罗·布隆,莫瑞·金斯堡,多恩·迪皮塔,阿莱娜·苏格纳,阿拉贝拉·奥利维娅·克拉克,马特·沃尔顿,阿曼达·乔伊·埃里克森,布赖恩·D·科恩,索菲娅·邦内尔,凯伦·傅,亚历山德拉·西尔,里根·菲茨杰拉德改编自芙蕾达·麦克法登的同名畅销小说。 为生计挣扎的女子米莉（西德尼·斯维尼 Sydney Sweeney 饰）找到了一个新的开始，在一对看似完美且富有的夫妻妮娜（阿曼达·塞弗里德 Amanda Seyfried 饰）和安德鲁（布兰登·斯克莱纳 Brandon Sklenar 饰）的家中做家政。然而，米莉很快发现一家人的秘密比自己的要危险得多，这座豪宅背后上演着充满秘辛、丑闻、权力诱惑的游戏。
天使航班电影版
米仓凉子,松本穗香,城田優,矢本悠马,野吕佳代,向井理,遠藤憲一本片剧情依然围绕遗体送还公司“天使之心”展开。社长伊泽那美得知8年前身亡的恋人或许仍在世而心神动摇。万圣节期间，公司成员奔赴世界各地处理送还事务：有人面对因婴儿猝死而自责的母亲，有人护送突然离世的明星回国，也有人送别在旅途中去世的青年。那美在墨西哥执行任务时，一边处理逝者身后事，一边被旧日恋情的线索牵动，在生死与思念交织中重新审视自己的内心。
咒物寻凶
格威利姆·李,卡罗琳·布莱肯,塔格·墨菲,卡罗琳·门通,史蒂夫·沃尔,乔纳森·法兰西丹妮原本和丈夫泰德正在翻修偏僻的乡间别墅，却在此地惨遭杀害，所有人都怀疑是当地精神病院的病人所为，因为泰德正是该院的一名医生。然而，案发后不久，嫌疑人就被发现死亡。一年后，丹妮的双胞胎盲妹达茜（Darcy），一个自称通灵者和诅咒物品收藏家的人，意外拜访了泰德和他的新女友雅娜。达茜深信她姐姐的谋杀案远比人们知道的要严重得多，因此她带来了她收藏的最危险的诅咒物品，以帮助她复仇。
阴阳师2
野村万斋,深田恭子,中井贵一,伊藤英明,市原隼人平安时代，百鬼夜行，封鬼仪式正在右大臣藤原安麻吕府邸进行。安麻吕之女日美子（深田恭子 饰）戎装登场，一箭命中靶心，引来全场惊叹。这位被喻为“连鬼都不敢接近”的公主，却令源博雅（伊藤英明 饰）暗自倾心。天现异象，京都骚动，魍魉横行。平安京已有四人遇害，民间出现驱鬼术士幻角（中井贵一 饰），日美子亦在异象后开始梦游。博雅为此替右大臣来请安倍晴明（野村万斋 饰）商谈。与此同时，宫廷供奉的出云三神器之一草薙剑也出现了异动。晴明受天皇所托，与博雅开始调查种种异况背后出云与大和的隐秘渊源。 博雅和夜弹琵琶的神秘少年须佐（市原隼人 饰）相识为乐友，须佐负伤被日美子所救，三人在右大臣府邸相逢。同一时刻，右大臣主动找到晴明，坦白了十八年前天现异象时，大和攻打出云的事实…… 本片为电影《阴阳师》续作。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.