天蝎行动1977

8.1 播放:49万 更新:2026-05-23

丹麦经典Tegn系列,杂货店是一个国家安全部门的情报站,负责人将重要的情报嵌在面包里放入一个白色手提包。情报员取走情报后,又来了个情报员。站长因此怀疑取走情报那个人的身份,就派人想用同样的手提包把情报换回来。同时,另外一组人也想得到这情报,用同样的手提包,想在途中调包。一场情报争夺战就这样开始

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剧情赏析

丹麦经典Tegn系列,杂货店是一个国家安全部门的情报站,负责人将重要的情报嵌在面包里放入一个白色手提包。情报员取走情报后,又来了个情报员。站长因此怀疑取走情报那个人的身份,就派人想用同样的手提包把情报换回来。同时,另外一组人也想得到这情报,用同样的手提包,想在途中调包。一场情报争夺战就这样开始

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大地1937

保罗·穆尼,路易丝·赖纳,沃尔特·康诺利,蒂莉·洛施,查利· 格雷普韦恩,杰茜·拉尔夫,杨秀,陆锡麒,罗兰·郭,Suzanna Kim,李清华,Harold Huber,奥拉夫·许滕,William Law,黄柳霜,安必立,Philson Ahn,Chester Gan,Betty Soo Hoo,James B. Leong,Bessie Loo,理查德·洛,Clarence Lung,阿瑟·马克斯,查尔斯·米德尔顿,Miki Morita,Layne Tom Jr.,甘岱棠,Sammee Tong,I

 改编自赛珍珠的普立兹奖小说,是好莱坞在三十年代开始注意东方题材的代表性作品。影片虽是描写中国农村夫妇的悲剧故事,但主角均由美国人扮演,导演悉尼.弗兰克林也采取西方古典电影的风格来处理,在制作上相当严谨认真。剧情描写保罗.茂尼与路易丝.莱娜本来是贫困的农民,面对饥荒的威胁甚至以烤土充饥。后来茂尼得到了一笔财富,竟整天花天酒地迷恋情妇,莱娜只有发挥贤妻的耐性期待丈夫浪子回头。今天看来类似故事已显得老套,但本片的拍摄与特技表现杰出,路易丝.莱娜亦获得奥斯卡最佳女主角奖。

钢铁少女:决战

明日花绮罗,青柳尊哉,龍坐,ハヤテ,春田纯一

  在20XX年,日本面临着最后一场战争的危机,一个军事公司开发的“大规模毁灭性超级武器”被恐怖组织夺走。同时,半机械人的克里斯·索奥托姆(Chris Saotome)被转换为杀戮武器,遇到了一个名叫萨拉的神秘女孩....

连环杀手夫人

杰奎琳·费南德斯,马诺杰·巴杰帕伊,莫希特·雷纳,Zayn Khan

  一名医生因一连串令人震惊的凶恶案而入监服刑,他忠心的妻子打算模仿同样的杀人手法作案,借以证明他的清白。

送葬人2023

那塔乌·桑亚布,察猜·钦西,Thanadon Buarabat,Nek Naruepol,Phuwanet Seechomphu,蒂提·斯里努亚尔,Siriamol Onkoon

  讲述一名法学院毕业生乔德回到家乡准备司法考试,但做殡葬业的父亲却生病了,怕鬼的他只好硬着头皮协助家业。而锡安因为无法接受前女友的死亡,想方设法希望能再跟她见上一面,因此来帮乔德的忙。究竟在这个生与死交会的地方,他们会遇见什么样的故事呢?

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

学前班

乔什·杜哈明,查丽蒂·维克菲尔德,詹姆斯·科兹莫,安东尼娅·托马斯,迈克尔·索恰,费奈拉·伍尔加

两位坚定的父亲展开一场滑稽的争夺,争夺让孩子进入一所精英幼儿园,最终升级为一场荒诞的竞争,结果出乎意料。