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公司新来的黑丝小姐姐工作累了放送福利
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特里特·威廉斯,乔·皮斯科波,琳赛·福斯特,达伦·麦克加文,文森特·普莱斯,克莱尔·科克奈尔,陆锡麒,罗伯特·皮卡多,梅尔·斯图尔特,田中徹,Martha Quinn,Ben Mittleman,Peter Kent,Cate Caplin,莫妮卡·里维斯细骨小屋
赛迪·斯欧维奥,乔莉·理查德森,尼尔·林波怖谷鸟
亨特·莎弗,贾恩·布卢特德,马尔顿·索克斯,杰西卡·亨维克,丹·史蒂文斯,米拉·刘,格蕾塔·费尔南德斯,波斯·曼达尼,阿斯特丽德·伯格斯-弗瑞斯贝, 康拉德·辛格,卡琳·莫罗不是闹着玩的
李易祥,于根艺,曹随风,田华武器之刀光剑影
李乾铭,张星阑,孔孝信,孙祎彤,李梦瑶,张春仲,曹禹澄,冯瀑,李雄,王鹰,齐·宝力高,于又川,元宝天才游戏
彭昱畅,丁禹兮,李蔓瑄,邓恩熙,侯雯元人气佳作
米纳里
史蒂文·元,韩艺璃,达里尔·考克斯,威尔·帕顿,尹汝贞,蒂娜·帕克,斯科特·黑兹,艾伦·S·金,Laurie Cummings,埃里克·斯达克,Esther Moon,Ben Hall,Noel Cho,Chloe Lee,James Carroll,Jacob M Wade,Jenny Phagan校园鬼谈
อาไท กลมกิ๊ก-สุภทัต โอภาส,สุชาติ แคปเจอร์-สุชาติ จันทร์แก้ว梦之安魂曲
艾伦·伯斯汀,杰瑞德·莱托,詹妮弗·康纳利,马龙·韦恩斯,克里斯托弗·麦克唐纳,露易丝·拉塞尔,玛西娅·让·库尔茨,珍妮特·萨诺,苏珊妮·谢泼德,夏洛特·阿罗诺夫斯基,马克·马戈利斯,迈克尔·卡切克,杰克·奥康耐,斯科特·富兰克林,亚伯拉罕·阿罗诺夫斯基,欧嘉·梅雷迪斯,本·申克曼,凯斯·大卫,迪伦·贝克,肖恩·奥哈根,比尔·布尔,吉米·雷·威克斯,斯坦利·B·赫尔曼洞穴客
John Abbott,诺亚·海瑟威,David Comfort,Michael Mancini导演精选
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
好孩子2025
变装皇后家好与家人疏离，因妈妈罹患失智症需贴身照顾，才久违回了家。母亲记忆力衰退，不断提起家好童年轶事，耿耿于怀。有次家好忘记卸妆被母亲撞见，为安抚她，只好谎称自己是母亲失散多年的女儿，怎料母亲信以为真，令家好展开一段疗愈原生家庭创伤之旅。到底家好是否可以月圆？王国燊继《男儿王》又一变装皇后力作，联同新加坡视帝许瑞祺和《花路阿朱妈》洪慧芳，将新加坡变装皇后Sammi Zhen真实故事搬上大银幕。
逃离地下天堂
西元2274年人类居住在由电脑控制的城市中，在这个城市中无优无虑，可自由毫无拘束的追求享乐；但到30岁时每一个人必须接受考验，一个探究永恒、重生的试炼……